1 00:00:02,700 --> 00:00:03,600 PREVIOUSLY ON LOVE and HIP-HOP: 2 00:00:03,600 --> 00:00:04,267 ATLANTA... 3 00:00:04,267 --> 00:00:05,000 I HEARD THAT YOU 4 00:00:05,000 --> 00:00:05,800 SAID THAT YOU WAS MISSING HIS 5 00:00:05,800 --> 00:00:06,533 [bleep]. 6 00:00:06,533 --> 00:00:07,200 I WILL NEVER 7 00:00:07,200 --> 00:00:09,033 MISS THE [bleep]. 8 00:00:09,033 --> 00:00:10,367 HAVE YOU HEARD 9 00:00:10,367 --> 00:00:11,633 THAT ALTHEA HAD SEX WITH NIKKO 10 00:00:11,633 --> 00:00:12,467 A FEW TIMES? 11 00:00:12,467 --> 00:00:13,267 HOTHEA. 12 00:00:13,267 --> 00:00:14,767 OH, I LIKE THAT NAME, HOTHEA. 13 00:00:14,767 --> 00:00:16,200 SHE'S [bleep] STEVIE TOO? 14 00:00:16,200 --> 00:00:16,867 SHE DID. 15 00:00:16,867 --> 00:00:17,533 SO YOU'RE SAYING 16 00:00:17,533 --> 00:00:18,233 WHEN SHE CAME TO MY HOUSE, 17 00:00:18,233 --> 00:00:18,900 AND SHE [bleep] MY [bleep]? 18 00:00:18,900 --> 00:00:19,600 ERICA TOLD ME THIS. 19 00:00:19,600 --> 00:00:20,300 DID YOU EVER HAVE 20 00:00:20,300 --> 00:00:20,967 A TALK WITH STEVIE 21 00:00:20,967 --> 00:00:21,767 THAT HE KNEW ME-- 22 00:00:21,767 --> 00:00:22,433 NO. 23 00:00:22,433 --> 00:00:23,133 BUT YOU KNOW 24 00:00:23,133 --> 00:00:25,367 THAT WE DID IT ONE NIGHT. 25 00:00:25,367 --> 00:00:27,033 I NEVER HAD SEX WITH HER. 26 00:00:27,033 --> 00:00:28,200 I NEVER [bleep] HER. 27 00:00:28,200 --> 00:00:29,233 I'M READY TO SIGN THE WALK 28 00:00:29,233 --> 00:00:30,000 AWAYS WHEN YOU'RE READY. 29 00:00:30,000 --> 00:00:30,767 'CAUSE DOING THIS [bleep], 30 00:00:30,767 --> 00:00:31,633 I DON'T WANT TO BE WITH YOU. 31 00:00:31,633 --> 00:00:32,967 IT'S UP TO YOU. 32 00:00:32,967 --> 00:00:34,133 THESE ARE CHANEL, RIGHT? 33 00:00:34,133 --> 00:00:35,867 WHAT IF I JUST DID, LIKE, THIS? 34 00:00:35,867 --> 00:00:37,167 HOW DO YOU FEEL ABOUT THAT? 35 00:00:37,167 --> 00:00:38,267 MY MOM SAID TO HIM, 36 00:00:38,267 --> 00:00:39,033 "YOU'VE BEEN PUTTING ME 37 00:00:39,033 --> 00:00:39,933 THROUGH A LOT OF [bleep]." 38 00:00:39,933 --> 00:00:40,667 SHE WAS LIKE, "YOU NEED 39 00:00:40,667 --> 00:00:42,900 TO HAVE AN APOLOGY PARTY." 40 00:00:42,900 --> 00:00:44,400 APOLOGY PARTY? 41 00:00:44,400 --> 00:00:46,300 LIKE, I'M LIKE, "REALLY?" 42 00:00:46,300 --> 00:00:47,367 GOT THAT RUBEN STUDDARD 43 00:00:47,367 --> 00:00:48,167 SINGING THAT [bleep]. 44 00:00:48,167 --> 00:00:49,667 I'M SORRY. 45 00:00:49,667 --> 00:00:51,733 BEFORE I SLAP THE [bleep] OUT 46 00:00:51,733 --> 00:00:52,400 OF YOU-- 47 00:00:52,400 --> 00:00:53,700 BEFORE I SLAP THE [bleep] 48 00:00:53,700 --> 00:00:54,367 OUT YOU. 49 00:00:54,367 --> 00:00:55,233 THAT'LL BE YOUR LAST TIME EVER 50 00:00:55,233 --> 00:00:56,733 SLAPPING A [bleep] IN REAL LIFE. 51 00:00:56,733 --> 00:01:00,300 I'VE NEVER SEEN HIM SO ANGRY. 52 00:01:00,300 --> 00:01:02,200 DO YOU KNOW HOW THAT HURTS ME? 53 00:01:02,200 --> 00:01:03,400 I PROMISE YOU, 54 00:01:03,400 --> 00:01:05,067 IT'S GONNA BE ADDRESSED. 55 00:01:05,067 --> 00:01:07,233 HE'S GONNA EFFIN' LISTEN 56 00:01:07,233 --> 00:01:10,900 AND LEARN HIS LESSONS. 57 00:01:10,900 --> 00:01:11,600 SO, MIMI, 58 00:01:11,600 --> 00:01:12,633 I GOT THE PREVIEW OF THE TAPE. 59 00:01:12,633 --> 00:01:13,600 HAVE YOU SEEN IT? 60 00:01:13,600 --> 00:01:14,433 I'VE SEEN IT FIVE TIMES. 61 00:01:14,433 --> 00:01:15,867 IT'S PRETTY DOPE. 62 00:01:15,867 --> 00:01:16,567 I THINK YOU'RE GONNA 63 00:01:16,567 --> 00:01:17,400 LIKE IT TOO. 64 00:01:17,400 --> 00:01:19,900 LET'S WATCH IT. 65 00:01:19,900 --> 00:01:22,867 OH, MY GOD. 66 00:01:22,867 --> 00:01:24,867 I HAVE NO WORDS. 67 00:01:26,567 --> 00:01:27,900 * THIS IS THE LIFE 68 00:01:27,900 --> 00:01:29,067 ♪ THIS IS THE LIFE 69 00:01:29,067 --> 00:01:29,700 * YEAH 70 00:01:29,700 --> 00:01:30,733 * THIS IS THE LIFE 71 00:01:30,733 --> 00:01:31,400 ♪ THIS IS THE LIFE 72 00:01:31,400 --> 00:01:32,067 * 'SUP ♪ 73 00:01:32,067 --> 00:01:32,833 * THIS IS THE LIFE 74 00:01:32,833 --> 00:01:33,833 ♪ THIS IS THE LIFE 75 00:01:33,833 --> 00:01:34,500 * HUH 76 00:01:34,500 --> 00:01:35,200 * THIS IS THE LIFE 77 00:01:35,200 --> 00:01:38,333 ♪ THIS IS THE LIFE 78 00:01:38,333 --> 00:01:39,100 * HUH 79 00:01:39,100 --> 00:01:40,067 ♪ THERE AIN'T NOTHING LIKE ♪ 80 00:01:40,067 --> 00:01:41,267 ♪ HIP-HOP MUSIC 81 00:01:41,267 --> 00:01:41,933 ♪ MUSIC 82 00:01:41,933 --> 00:01:42,633 * THIS IS THE LIFE 83 00:01:42,633 --> 00:01:47,867 ♪ THIS IS THE LIFE 84 00:01:57,400 --> 00:01:58,767 SO, NUGGET, YOU'RE GONNA 85 00:01:58,767 --> 00:02:01,167 GO TO DADDY'S FOR THE WEEKEND. 86 00:02:01,167 --> 00:02:02,100 WHAT DO YOU WANT TO TAKE? 87 00:02:02,100 --> 00:02:03,300 SQUISHY BUG. 88 00:02:03,300 --> 00:02:04,167 I'M GONNA PUT IT IN HERE, 89 00:02:04,167 --> 00:02:05,367 IN MINNIE MOUSE, OKAY? 90 00:02:05,367 --> 00:02:06,067 AND DON'T FORGET 91 00:02:06,067 --> 00:02:07,733 A FIREFIGHTER HAT. 92 00:02:07,733 --> 00:02:10,133 WHAT ABOUT THIS GUY? 93 00:02:10,133 --> 00:02:12,467 OH, YEAH, I DO WANT THAT. 94 00:02:12,467 --> 00:02:13,467 WHAT ABOUT YOUR COLORING BOOK 95 00:02:13,467 --> 00:02:14,133 AND SOME CRAYONS? 96 00:02:14,133 --> 00:02:14,867 YOU WANT TO TAKE THAT? 97 00:02:14,867 --> 00:02:15,700 YEAH. 98 00:02:15,700 --> 00:02:17,433 AFTER MONTHS OF AGONIZING 99 00:02:17,433 --> 00:02:19,133 AND GOING OVER AND OVER THIS 100 00:02:19,133 --> 00:02:21,500 IN MY HEAD, TODAY IS THE DAY. 101 00:02:21,500 --> 00:02:22,867 MY SEX TAPE WILL BE RELEASED 102 00:02:22,867 --> 00:02:23,867 IN A COUPLE OF HOURS, 103 00:02:23,867 --> 00:02:24,967 AND I KNOW MY LIFE 104 00:02:24,967 --> 00:02:27,367 WILL BE CHANGED FOREVER. 105 00:02:27,367 --> 00:02:29,867 I'M NERVOUS AND EMBARRASSED. 106 00:02:29,867 --> 00:02:31,333 BUT I THINK THE HARDEST PART 107 00:02:31,333 --> 00:02:33,600 OF ALL THIS IS KNOWING ONE DAY 108 00:02:33,600 --> 00:02:35,600 THIS WILL AFFECT MY DAUGHTER. 109 00:02:39,067 --> 00:02:40,367 AWESOME. 110 00:02:40,367 --> 00:02:41,067 COME ON, BABE, 111 00:02:41,067 --> 00:02:42,500 LET'S GO DOWNSTAIRS. 112 00:02:42,500 --> 00:02:43,500 I'M DROPPING EVA OFF 113 00:02:43,500 --> 00:02:44,867 TO SPEND SOME TIME WITH HER DAD, 114 00:02:44,867 --> 00:02:45,800 SO I CAN FOCUS 115 00:02:45,800 --> 00:02:47,633 ON WHAT I NEED TO DO. 116 00:02:47,633 --> 00:02:49,333 I LOVE EVA MORE THAN LIFE. 117 00:02:49,333 --> 00:02:51,067 NO MATTER WHAT ANYONE SAYS, 118 00:02:51,067 --> 00:02:52,567 I WOULD NEVER DO ANYTHING 119 00:02:52,567 --> 00:02:54,533 TO HURT MY LITTLE GIRL. 120 00:02:54,533 --> 00:02:56,433 YOU READY TO ROCK AND ROLL? 121 00:02:56,433 --> 00:02:57,533 I KNOW THAT ONE DAY, 122 00:02:57,533 --> 00:02:58,800 I'M GONNA HAVE TO SIT EVA DOWN 123 00:02:58,800 --> 00:03:00,500 AND EXPLAIN THIS TO HER, 124 00:03:00,500 --> 00:03:01,933 WHY I MADE THIS DECISION, 125 00:03:01,933 --> 00:03:04,233 AS A MOTHER AND AS A WOMAN. 126 00:03:04,233 --> 00:03:05,067 AND I DON'T KNOW EXACTLY 127 00:03:05,067 --> 00:03:06,267 WHAT I'LL SAY TO HER. 128 00:03:06,267 --> 00:03:07,833 ALL I KNOW IS THAT I HAD 129 00:03:07,833 --> 00:03:09,800 TO TAKE CONTROL OF A SITUATION 130 00:03:09,800 --> 00:03:11,433 THAT WAS OUT OF MY HANDS. 131 00:03:11,433 --> 00:03:12,600 I NEEDED TO TAKE CARE OF ME. 132 00:03:12,600 --> 00:03:14,367 AND MOST IMPORTANTLY, I NEEDED 133 00:03:14,367 --> 00:03:16,500 TO TAKE CARE OF MY DAUGHTER. 134 00:03:16,500 --> 00:03:17,400 YOU GONNA HAVE FUN 135 00:03:17,400 --> 00:03:19,800 AT DADDY'S HOUSE? 136 00:03:19,800 --> 00:03:21,833 I WANT YOU-- 137 00:03:21,833 --> 00:03:23,733 I WANT MOMMY AND DADDY 138 00:03:23,733 --> 00:03:25,800 IN THE SAME TIME. 139 00:03:25,800 --> 00:03:27,500 WELL, 140 00:03:27,500 --> 00:03:28,567 MOMMY WILL THINK ABOUT THAT, 141 00:03:28,567 --> 00:03:29,567 OKAY? 142 00:03:29,567 --> 00:03:30,367 MM-HMM. 143 00:03:30,367 --> 00:03:31,100 YOU KNOW I MISS YOU 144 00:03:31,100 --> 00:03:34,633 WHEN YOU'RE GONE. 145 00:03:34,633 --> 00:03:35,833 I MISS YOU TOO 146 00:03:35,833 --> 00:03:38,533 WHEN YOU'RE GONE. 147 00:03:38,533 --> 00:03:39,600 WHEN I SAT IN THAT ROOM 148 00:03:39,600 --> 00:03:41,067 TO SIGN THAT CONTRACT, 149 00:03:41,067 --> 00:03:42,967 I FOUND MYSELF AT A CROSSROADS. 150 00:03:42,967 --> 00:03:44,400 ULTIMATELY, I HAD TO MAKE 151 00:03:44,400 --> 00:03:45,800 A DIFFICULT DECISION. 152 00:03:45,800 --> 00:03:48,567 THE ONLY SILVER LINING IN THIS 153 00:03:48,567 --> 00:03:50,667 WAS THE OPPORTUNITY FOR ME 154 00:03:50,667 --> 00:03:51,833 TO BE ABLE TO PROVIDE 155 00:03:51,833 --> 00:03:53,833 FOR MY DAUGHTER ON MY OWN. 156 00:03:53,833 --> 00:03:54,767 SHE NEEDS TO KNOW 157 00:03:54,767 --> 00:03:56,500 THAT SHE CAN DEPEND ON ME. 158 00:03:56,500 --> 00:03:58,733 THIS MAY NOT BE THE BEST WAY, 159 00:03:58,733 --> 00:04:00,833 BUT IT'S MY WAY. 160 00:04:00,833 --> 00:04:09,067 I WANT TO GO HOME. 161 00:04:09,067 --> 00:04:11,767 [humming] 162 00:04:13,500 --> 00:04:15,200 SO AS HARD AS THIS IS, ALL 163 00:04:15,200 --> 00:04:17,300 I CAN DO IS FACE THIS HEAD-ON 164 00:04:17,300 --> 00:04:18,333 AND TRY TO DO THIS 165 00:04:18,333 --> 00:04:20,367 WITH SOME DIGNITY AND RESPECT, 166 00:04:20,367 --> 00:04:21,867 SO I CAN BE THE STRONG WOMAN 167 00:04:21,867 --> 00:04:23,700 THAT MY DAUGHTER NEEDS ME TO BE. 168 00:04:23,700 --> 00:04:26,067 GIVE MOMMY HUGGIES. 169 00:04:26,067 --> 00:04:27,667 OH, I LOVE YOU. 170 00:04:27,667 --> 00:04:29,467 I LOVE YOU. 171 00:04:29,467 --> 00:04:30,500 ALL RIGHT, YOU GUYS HAVE FUN, 172 00:04:30,500 --> 00:04:31,167 OKAY? 173 00:04:31,167 --> 00:04:32,100 YOU READY, BABY? 174 00:04:32,100 --> 00:04:33,233 YES. 175 00:04:33,233 --> 00:04:33,967 WE'LL SEE YOU LATER. 176 00:04:33,967 --> 00:04:34,633 IF YOU NEED ME, 177 00:04:34,633 --> 00:04:35,967 I'M ON DECK, MIMI. 178 00:04:35,967 --> 00:04:37,067 ALL RIGHT. 179 00:04:37,067 --> 00:04:39,367 THIS IS--YOU MOVED YOUR HOUSE 180 00:04:39,367 --> 00:04:40,067 HERE? 181 00:04:40,067 --> 00:04:41,067 NO, I JUST WANTED 182 00:04:41,067 --> 00:04:42,933 TO PICK YOU UP FROM RIGHT HERE. 183 00:04:42,933 --> 00:04:44,067 I DON'T KNOW IF IT'S GOOD MOMMY 184 00:04:44,067 --> 00:04:45,067 COMES OVER TO THE HOUSE. 185 00:04:45,067 --> 00:04:46,067 WE JUST PICK UP FROM RIGHT HERE, 186 00:04:46,067 --> 00:04:47,267 RIGHT? 187 00:04:47,267 --> 00:04:48,400 I KNOW THAT MIMI'S SEX TAPE 188 00:04:48,400 --> 00:04:49,700 IS DROPPING TODAY. 189 00:04:49,700 --> 00:04:51,067 SHE MADE A FINAL DECISION, 190 00:04:51,067 --> 00:04:51,800 AND SHE'S GONNA 191 00:04:51,800 --> 00:04:52,567 HAVE TO LIVE WITH THAT 192 00:04:52,567 --> 00:04:53,467 FOR THE REST OF HER LIFE. 193 00:04:53,467 --> 00:04:55,067 I'M NOT GONNA SPEND NO MORE TIME 194 00:04:55,067 --> 00:04:56,067 ARGUING ABOUT THIS. 195 00:04:56,067 --> 00:04:57,567 ALL I CAN DO IS BE THE BEST DAD 196 00:04:57,567 --> 00:04:58,500 THAT I CAN BE. 197 00:04:58,500 --> 00:04:59,667 AND THAT MEANS TO KEEP MY EVA 198 00:04:59,667 --> 00:05:01,200 OUT OF THE LINE OF FIRE. 199 00:05:01,200 --> 00:05:02,767 SEE IT? 200 00:05:02,767 --> 00:05:04,233 YOU SEE IT? 201 00:05:04,233 --> 00:05:06,067 ISN'T IT AWESOME? 202 00:05:06,067 --> 00:05:07,267 EVA HAS TO KNOW 203 00:05:07,267 --> 00:05:08,667 THAT SHE NEEDS SOMEBODY TO LOVE 204 00:05:08,667 --> 00:05:10,167 AND PROTECT HER, 205 00:05:10,167 --> 00:05:12,167 AND THAT'S ME, DADDY. 206 00:05:12,167 --> 00:05:15,067 ASHES, ASHES, 207 00:05:15,067 --> 00:05:17,467 WE ALL FALL DOWN. 208 00:05:17,467 --> 00:05:19,067 EVA'S GONNA GROW UP. 209 00:05:19,067 --> 00:05:20,067 AND SHE'S GONNA HAVE A MAN 210 00:05:20,067 --> 00:05:21,167 IN HER LIFE ONE DAY. 211 00:05:21,167 --> 00:05:21,833 AND HE'S GONNA 212 00:05:21,833 --> 00:05:23,767 HAVE TO LOVE AND RESPECT HER. 213 00:05:23,767 --> 00:05:25,900 AND IT ALL BEGINS WITH YOU, EVA. 214 00:05:25,900 --> 00:05:26,567 YOU HAVE TO LOVE 215 00:05:26,567 --> 00:05:27,567 AND RESPECT YOURSELF. 216 00:05:27,567 --> 00:05:28,467 AND THAT'S WHAT I'M HERE 217 00:05:28,467 --> 00:05:29,333 TO ASSURE. 218 00:05:29,333 --> 00:05:30,700 YOU'RE THE BEST BABY EVER. 219 00:05:30,700 --> 00:05:32,933 OH, ROCKY. ROCKY. 220 00:05:32,933 --> 00:05:33,933 ROCKY SEEMS TO THINK 221 00:05:33,933 --> 00:05:35,500 HIGHLY OF YOU TOO. 222 00:05:35,500 --> 00:05:37,067 TODAY I GOT MY PRINCESS 223 00:05:37,067 --> 00:05:38,400 A CASTLE, A PINK CASTLE. 224 00:05:38,400 --> 00:05:39,533 SHE LOVES THE PINK. 225 00:05:39,533 --> 00:05:40,467 WE'RE GONNA PLAY. 226 00:05:40,467 --> 00:05:41,433 WE'RE GONNA ACT SILLY. 227 00:05:41,433 --> 00:05:42,433 WE'RE GONNA JUMP AROUND. 228 00:05:42,433 --> 00:05:43,333 WE'RE GONNA DO ALL THE THINGS 229 00:05:43,333 --> 00:05:44,100 SHE LOVES TO DO, 230 00:05:44,100 --> 00:05:45,567 BECAUSE IT'S HER WORLD, 231 00:05:45,567 --> 00:05:46,567 AND DADDY'S GONNA MAKE SURE 232 00:05:46,567 --> 00:05:47,900 SHE'S HAPPY RIGHT NOW. 233 00:05:47,900 --> 00:05:49,333 WELL, I LOVE YOU. 234 00:05:49,333 --> 00:05:50,233 AND I WANT TO JUMP AROUND 235 00:05:50,233 --> 00:05:50,967 WITH YOU SOME MORE. 236 00:05:50,967 --> 00:05:52,067 AND AS A FATHER, 237 00:05:52,067 --> 00:05:53,133 THAT'S ALL I CAN DO. 238 00:05:53,133 --> 00:05:54,367 * LIKE A STAR 239 00:05:54,367 --> 00:05:56,967 ♪ YOU WERE MADE TO SHINE 240 00:05:56,967 --> 00:05:58,100 ♪ IN THE DARK 241 00:05:58,100 --> 00:06:00,167 GO, ROCKY. 242 00:06:00,167 --> 00:06:01,067 HEY, LOOK AT ROCKY. 243 00:06:01,067 --> 00:06:02,533 HE TOOK YOUR SHOE AND RAN OUT. 244 00:06:02,533 --> 00:06:03,733 [laughs] 245 00:06:03,733 --> 00:06:05,900 GET OUT OF HERE, ROCKY. 246 00:06:05,900 --> 00:06:07,900 [laughter] 247 00:06:11,100 --> 00:06:11,767 YOU KNOW, 248 00:06:11,767 --> 00:06:13,367 STEVIE'S REALLY DRIVING ME CRAZY 249 00:06:13,367 --> 00:06:14,367 WITH ALL OF THESE SHENANIGANS. 250 00:06:14,367 --> 00:06:15,167 BUT IT'S ONLY ONE THING 251 00:06:15,167 --> 00:06:16,067 THAT MAKES ME FEEL BETTER. 252 00:06:16,067 --> 00:06:17,133 HELLO. 253 00:06:17,133 --> 00:06:19,467 GOING ON A SHOPPING SPREE. 254 00:06:19,467 --> 00:06:20,467 YOU DON'T HAVE NO LITTLE TOPS 255 00:06:20,467 --> 00:06:21,133 TO GO WITH THIS, 256 00:06:21,133 --> 00:06:22,433 LIKE, LITTLE SKANK TOPS? 257 00:06:22,433 --> 00:06:23,500 I NEED TO SHOW MORE BOOBS. 258 00:06:23,500 --> 00:06:24,267 I FEEL LIKE LATELY 259 00:06:24,267 --> 00:06:26,500 I HAVEN'T BEEN SHOWING BOOBS. 260 00:06:26,500 --> 00:06:27,700 I LIKE THIS. 261 00:06:27,700 --> 00:06:28,833 THIS ONE IS REAL SEXY, RIGHT? 262 00:06:28,833 --> 00:06:29,733 YEAH. 263 00:06:29,733 --> 00:06:30,667 I LOVE THIS. THIS IS HOT. 264 00:06:30,667 --> 00:06:31,967 I LOVE THIS, AND, YOU KNOW, 265 00:06:31,967 --> 00:06:32,800 IT FEELS LIKE I JUST WANT 266 00:06:32,800 --> 00:06:33,767 TO KEEP EVERYTHING I HAVE ON. 267 00:06:33,767 --> 00:06:34,433 YOU SHOULD. 268 00:06:34,433 --> 00:06:35,100 ADD THIS TOO. 269 00:06:35,100 --> 00:06:35,767 YOU KNOW WHAT? 270 00:06:35,767 --> 00:06:36,533 STEVIE THINK I GOT ALL THESE 271 00:06:36,533 --> 00:06:37,233 SEXY OUTFITS, 272 00:06:37,233 --> 00:06:37,900 SO I CAN BUY IT 273 00:06:37,900 --> 00:06:38,900 ALL AROUND THE HOUSE FOR HIM. 274 00:06:38,900 --> 00:06:39,800 I DON'T THINK SO, STEVIE. 275 00:06:39,800 --> 00:06:40,700 YOU KNOW, I'M GOING OUT OF TOWN. 276 00:06:40,700 --> 00:06:41,433 YOU THINK I WENT SHOPPING 277 00:06:41,433 --> 00:06:42,100 FOR YOU? 278 00:06:42,100 --> 00:06:42,767 NO, NO, NO, NO, NO, NO. 279 00:06:42,767 --> 00:06:43,733 I GOT SOMETHING FOR YOU. 280 00:06:43,733 --> 00:06:45,300 I'MA SHOW YOU WHAT I'MA DO. 281 00:06:45,300 --> 00:06:47,067 YOU ARE HARD TO CATCH UP WITH. 282 00:06:47,067 --> 00:06:48,433 WHAT IS YOU DOING? 283 00:06:48,433 --> 00:06:50,067 HELLO, BOO. 284 00:06:50,067 --> 00:06:50,800 I WANT TO SEE 285 00:06:50,800 --> 00:06:51,700 MY HOMEGIRL K.MICHELLE. 286 00:06:51,700 --> 00:06:52,433 THAT'S RIGHT, STEVIE. 287 00:06:52,433 --> 00:06:53,633 PEACE OUT. 288 00:06:53,633 --> 00:06:54,733 ARE YOU GETTING SOME LOVING 289 00:06:54,733 --> 00:06:55,400 OR SOMETHING? 290 00:06:55,400 --> 00:06:56,200 WHAT'S GOING ON WITH YOU, 291 00:06:56,200 --> 00:06:56,867 YOUNG LADY? 292 00:06:56,867 --> 00:06:57,533 WHAT'S UP? 293 00:06:57,533 --> 00:06:58,733 HEY, GIRL, PLEASE. 294 00:06:58,733 --> 00:07:01,433 I NEED TO GET AWAY FROM ATL. 295 00:07:01,433 --> 00:07:02,433 COME ON. COME HERE. 296 00:07:02,433 --> 00:07:03,533 IS THIS WHAT MARRIAGE 297 00:07:03,533 --> 00:07:04,333 IS ALL ABOUT? 298 00:07:04,333 --> 00:07:05,133 WHAT IS HE DOING? 299 00:07:05,133 --> 00:07:07,100 GIRL. 300 00:07:07,100 --> 00:07:07,900 YOU KNOW, HE'S BEEN SLEEPING 301 00:07:07,900 --> 00:07:09,167 IN THE DOGHOUSE LATELY, 302 00:07:09,167 --> 00:07:10,533 'CAUSE I'M NOT [bleep] WITH HIM. 303 00:07:10,533 --> 00:07:11,367 Y'ALL AIN'T EVEN SLEEPING 304 00:07:11,367 --> 00:07:12,067 IN THE SAME BED? 305 00:07:12,067 --> 00:07:12,700 HE AIN'T GETTING NONE 306 00:07:12,700 --> 00:07:13,367 OF THIS COOTIE CAT. 307 00:07:13,367 --> 00:07:15,133 HE WENT AROUND HAVING SEX 308 00:07:15,133 --> 00:07:17,700 WITH BENZINO'S FIANCEE. 309 00:07:17,700 --> 00:07:18,567 GIRL, HE CLAIMS HE DIDN'T DO IT, 310 00:07:18,567 --> 00:07:19,333 THOUGH. 311 00:07:19,333 --> 00:07:20,100 I'M LIKE, "FIRST OF ALL, 312 00:07:20,100 --> 00:07:21,167 SHE [bleep] YOU FOR THE SAME 313 00:07:21,167 --> 00:07:21,867 REASON I [bleep] YOU, 314 00:07:21,867 --> 00:07:24,533 'CAUSE SHE WANTED TO GET ON." 315 00:07:24,533 --> 00:07:25,233 I SAID, "DON'T NOBODY 316 00:07:25,233 --> 00:07:27,067 WANT YOUR TIRED ASS." 317 00:07:27,067 --> 00:07:28,867 YOU DID NOT TELL HIM THAT. 318 00:07:28,867 --> 00:07:29,533 THE TRUTH IS 319 00:07:29,533 --> 00:07:30,833 THAT HE'S PLAYING, 320 00:07:30,833 --> 00:07:32,133 AND I CAN'T PLAY. 321 00:07:32,133 --> 00:07:33,367 YOU FREE TO COME HERE. 322 00:07:33,367 --> 00:07:34,833 YOU KNOW I GOT YOUR BACK. 323 00:07:34,833 --> 00:07:36,533 I NEED TO FIGURE OUT 324 00:07:36,533 --> 00:07:39,433 HOW I CAN DO MUSIC WITHOUT HIM, 325 00:07:39,433 --> 00:07:40,100 'CAUSE, SEE, 326 00:07:40,100 --> 00:07:41,267 I THINK MAYBE SOMETIMES HE FEELS 327 00:07:41,267 --> 00:07:42,667 LIKE HE'S THE ONLY PERSON 328 00:07:42,667 --> 00:07:43,600 THAT I HAVE. 329 00:07:43,600 --> 00:07:44,267 WELL, I PROMISE YOU, 330 00:07:44,267 --> 00:07:45,600 I [bleep] UNDERSTAND IT. 331 00:07:45,600 --> 00:07:46,700 YOU CAN COME HERE. 332 00:07:46,700 --> 00:07:48,167 IT'S A BUNCH OF 333 00:07:48,167 --> 00:07:49,800 BOMB-ASS STUDIOS HERE. 334 00:07:49,800 --> 00:07:50,900 IT'S A BUNCH OF PEOPLE 335 00:07:50,900 --> 00:07:52,167 YOU CAN CONNECT WITH HERE 336 00:07:52,167 --> 00:07:53,067 AND DO YOUR THING 337 00:07:53,067 --> 00:07:54,067 AND JUST TAKE A LITTLE BREAK. 338 00:07:54,067 --> 00:07:56,167 EVERY WOMAN NEED A BREAK. 339 00:07:56,167 --> 00:07:56,833 YOU KNOW, ONE THING 340 00:07:56,833 --> 00:07:57,967 ABOUT MY GIRL K.MICHELLE, 341 00:07:57,967 --> 00:07:58,767 SHE'S A BADASS BITCH 342 00:07:58,767 --> 00:07:59,433 LIKE MYSELF. 343 00:07:59,433 --> 00:08:00,600 WE LAUGH. WE KICK IT. 344 00:08:00,600 --> 00:08:01,433 WE TALK ABOUT MUSIC. 345 00:08:01,433 --> 00:08:02,367 WE TALK ABOUT MEN. 346 00:08:02,367 --> 00:08:03,300 SHE'S A BAD BITCH, 347 00:08:03,300 --> 00:08:04,200 AND SHE AIN'T A [bleep] HATER, 348 00:08:04,200 --> 00:08:04,867 LIKE THESE OTHER 349 00:08:04,867 --> 00:08:05,933 LAME-ASS BITCHES. 350 00:08:05,933 --> 00:08:06,600 SO I'M COMING UP 351 00:08:06,600 --> 00:08:07,333 THERE THIS WEEK, GIRL. 352 00:08:07,333 --> 00:08:08,067 YOU'LL SEE ME IN, LIKE, 353 00:08:08,067 --> 00:08:08,700 TWO DAYS. 354 00:08:08,700 --> 00:08:10,067 YES, YOU'RE GONNA BE HERE! 355 00:08:10,067 --> 00:08:11,700 SO GET READY. 356 00:08:11,700 --> 00:08:12,600 I WANT YOU TO INTRODUCE ME 357 00:08:12,600 --> 00:08:13,867 TO ALL THE DUDES, 358 00:08:13,867 --> 00:08:14,633 EVERYBODY 359 00:08:14,633 --> 00:08:15,867 THAT'S HOT IN NEW YORK. 360 00:08:15,867 --> 00:08:16,633 AND LET ME WORK 361 00:08:16,633 --> 00:08:17,633 MY MOTHER[bleep] AREA. 362 00:08:17,633 --> 00:08:18,933 OKAY. 363 00:08:18,933 --> 00:08:19,833 LET ME KNOW WHEN YOU'RE COMING. 364 00:08:19,833 --> 00:08:20,500 COME ON. 365 00:08:20,500 --> 00:08:21,167 OKAY. 366 00:08:21,167 --> 00:08:21,833 I MISS YOU. 367 00:08:21,833 --> 00:08:22,500 ALL RIGHT, BYE. 368 00:08:22,500 --> 00:08:24,400 ALL RIGHT. 369 00:08:24,400 --> 00:08:25,633 I WOULDN'T POP OFF TOO MUCH, 370 00:08:25,633 --> 00:08:27,067 BECAUSE OF WHAT I GOT ON YOU. 371 00:08:27,067 --> 00:08:27,667 WHAT YOU GOT? 372 00:08:27,667 --> 00:08:28,333 YOU AIN'T GOT NOTHING. 373 00:08:28,333 --> 00:08:29,067 I FELT LIKE I GOT LEFT OUT 374 00:08:29,067 --> 00:08:30,133 IN THE DARK. 375 00:08:30,133 --> 00:08:31,067 MY BAD. 376 00:08:31,067 --> 00:08:31,700 I'M OUT OF HERE. 377 00:08:31,700 --> 00:08:32,367 WHERE YOU GOING? 378 00:08:32,367 --> 00:08:33,067 MM-MM. 379 00:08:33,067 --> 00:08:33,700 NOW WHERE YOU GOING? 380 00:08:33,700 --> 00:08:34,767 MM-MM. 381 00:08:34,767 --> 00:08:36,067 OH, WOW. 382 00:08:36,067 --> 00:08:36,700 NO. 383 00:08:36,700 --> 00:08:38,567 OH, WOW. 384 00:08:38,567 --> 00:08:39,700 BITCH, THAT'S A REAL PORN. 385 00:08:39,700 --> 00:08:40,800 YEAH. 386 00:08:40,800 --> 00:08:41,800 OOH. 387 00:08:41,800 --> 00:08:43,100 SHE AIN'T EVEN GET A WAX. 388 00:08:43,100 --> 00:08:45,100 OH. 389 00:09:06,833 --> 00:09:07,667 I CAME OUT 390 00:09:07,667 --> 00:09:09,233 TO THIS "I'M SORRY" PARTY 391 00:09:09,233 --> 00:09:10,067 TO SHOW SUPPORT 392 00:09:10,067 --> 00:09:11,067 FOR MY GIRL RASHEEDA. 393 00:09:11,067 --> 00:09:12,267 BUT I WASN'T EXPECTING 394 00:09:12,267 --> 00:09:14,200 TO SEE THIS BEAST, ALTHEA. 395 00:09:14,200 --> 00:09:15,500 KARLIE AND I HAVEN'T SEEN HER 396 00:09:15,500 --> 00:09:17,167 SINCE SHE WAS SLANGIN' DRINKS 397 00:09:17,167 --> 00:09:18,267 AT SLEAZY AND ZINO'S 398 00:09:18,267 --> 00:09:19,167 GRAND OPENING. 399 00:09:19,167 --> 00:09:21,200 AND I REALLY HOPE AND PRAY 400 00:09:21,200 --> 00:09:22,767 NOTHING POPS OFF TODAY. 401 00:09:22,767 --> 00:09:24,533 GONNA TRY MY BEST TO RESPECT 402 00:09:24,533 --> 00:09:26,567 RASHEEDA AND HER HOME, 403 00:09:26,567 --> 00:09:28,567 EVEN THOUGH CLEARLY SOME PEOPLE 404 00:09:28,567 --> 00:09:30,067 HAVE NO RESPECT 405 00:09:30,067 --> 00:09:31,567 SHOWING UP IN DIAPERS 406 00:09:31,567 --> 00:09:33,067 AT A BARBECUE. 407 00:09:33,067 --> 00:09:34,333 WHO THE HELL SHOWS UP 408 00:09:34,333 --> 00:09:35,233 LOOKING LIKE THEY GOT [bleep] 409 00:09:35,233 --> 00:09:36,233 IN THEY DRAWERS? 410 00:09:36,233 --> 00:09:37,133 WHY IS SHE SO STUPID? 411 00:09:37,133 --> 00:09:39,267 WHY Y'ALL LAUGHING? 412 00:09:39,267 --> 00:09:40,067 I AIN'T TRYING TO START 413 00:09:40,067 --> 00:09:41,667 NO PROBLEMS AT RASHEEDA PARTY. 414 00:09:41,667 --> 00:09:42,900 AS LONG AS HOTHEA KNOWS 415 00:09:42,900 --> 00:09:45,067 HER PLACE, WON'T BE NO PROBLEMS. 416 00:09:45,067 --> 00:09:46,067 WHAT THE FOOD TASTE LIKE? 417 00:09:46,067 --> 00:09:48,233 FOR SOME REASON, RASHEEDA'S MOM 418 00:09:48,233 --> 00:09:49,600 THINKS THE ONLY WAY FOR ME 419 00:09:49,600 --> 00:09:50,567 TO MAKE THINGS RIGHT WITH 420 00:09:50,567 --> 00:09:52,733 RASHEEDA IS TO THROW A PARTY. 421 00:09:52,733 --> 00:09:53,700 SO HERE IT IS. 422 00:09:53,700 --> 00:09:55,433 THIS IS MY "I'M SORRY" PARTY. 423 00:09:55,433 --> 00:09:56,533 I GOT MY FRIENDS HERE. 424 00:09:56,533 --> 00:09:57,667 I GOT MY FAMILY HERE. 425 00:09:57,667 --> 00:09:59,333 AND THEY ARE ALL HERE 426 00:09:59,333 --> 00:10:01,600 TO HEAR LITTLE OLD ME APOLOGIZE. 427 00:10:01,600 --> 00:10:02,300 BUT YOU KNOW WHAT? 428 00:10:02,300 --> 00:10:03,533 BEFORE THE NIGHT'S OVER, 429 00:10:03,533 --> 00:10:04,900 IT MAY BE A FEW OTHER PEOPLE 430 00:10:04,900 --> 00:10:06,133 WHO MIGHT NEED TO JUMP UP 431 00:10:06,133 --> 00:10:08,167 AND MAKE SOME APOLOGIES. 432 00:10:08,167 --> 00:10:08,967 THIS SONG RIGHT HERE 433 00:10:08,967 --> 00:10:10,600 IS DEDICATED TO RASHEEDA. 434 00:10:10,600 --> 00:10:12,400 OH, MY GOD. 435 00:10:12,400 --> 00:10:13,067 FOR MY BOY 436 00:10:13,067 --> 00:10:13,967 KIRK FROST, YOU KNOW, 437 00:10:13,967 --> 00:10:15,133 HE'S ONE OF THE SORRIEST MEN 438 00:10:15,133 --> 00:10:16,333 IN ATLANTA. 439 00:10:16,333 --> 00:10:17,833 [laughter] 440 00:10:17,833 --> 00:10:19,033 SO HE HAD TO CALL 441 00:10:19,033 --> 00:10:19,800 EACH ONE OF Y'ALL. 442 00:10:19,800 --> 00:10:20,933 YES, YES. 443 00:10:20,933 --> 00:10:21,600 * OOH, BABY 444 00:10:21,600 --> 00:10:23,233 ♪ I'VE BEEN WATCHING YOU ♪ 445 00:10:23,233 --> 00:10:24,067 ♪ ON THE LOW, GIRL 446 00:10:24,067 --> 00:10:25,567 ♪ I'VE BEEN JOCKING YOU ♪ 447 00:10:25,567 --> 00:10:27,133 UH-OH. 448 00:10:27,133 --> 00:10:28,567 UH-HUH. 449 00:10:28,567 --> 00:10:30,900 * I WANT YOU FOR MY OWN 450 00:10:30,900 --> 00:10:33,967 ♪ SO IF I CAN'T HAVE YOU ♪ 451 00:10:33,967 --> 00:10:35,633 HE IS OVER THERE SINGING. 452 00:10:35,633 --> 00:10:36,300 YOU THINK YOU'RE DOING 453 00:10:36,300 --> 00:10:38,167 SOMETHING, DON'T YOU, KIRK? 454 00:10:38,167 --> 00:10:39,233 OKAY, KIRK. 455 00:10:39,233 --> 00:10:41,000 HEY, I'M TRYING, MAN. 456 00:10:41,000 --> 00:10:42,500 I LOOK AROUND AT ALL THIS, 457 00:10:42,500 --> 00:10:43,700 AND IT MAKES ME REALIZE 458 00:10:43,700 --> 00:10:45,133 THAT KIRK IS REALLY SERIOUS 459 00:10:45,133 --> 00:10:45,800 ABOUT TRYING TO MAKE 460 00:10:45,800 --> 00:10:46,467 THINGS RIGHT. 461 00:10:46,467 --> 00:10:47,400 THE DRINKS IS FLOWING. 462 00:10:47,400 --> 00:10:48,967 HE GOT BOBBY HERE SINGING. 463 00:10:48,967 --> 00:10:49,867 NOW, HOW SWEET IS THAT? 464 00:10:49,867 --> 00:10:50,900 HE'S STARTING OFF 465 00:10:50,900 --> 00:10:52,367 TO A REALLY GOOD START. 466 00:10:52,367 --> 00:10:55,567 * OH, OH, YEAH 467 00:10:55,567 --> 00:10:56,567 NOW I WANT TO CALL UP 468 00:10:56,567 --> 00:10:57,733 MY HOMEBOY, MAN. 469 00:10:57,733 --> 00:10:59,067 KIRK FROST, MAN, COME UP HERE 470 00:10:59,067 --> 00:10:59,833 AND GRAB THIS MIC, MAN. 471 00:10:59,833 --> 00:11:01,967 OKAY. UH-OH. UH-OH. 472 00:11:01,967 --> 00:11:02,800 I THINK THIS PARTY'S 473 00:11:02,800 --> 00:11:03,733 A CUTE IDEA. 474 00:11:03,733 --> 00:11:04,667 IT WILL GIVE KIRK A CHANCE 475 00:11:04,667 --> 00:11:06,067 TO APOLOGIZE FOR THE WHOLE 476 00:11:06,067 --> 00:11:07,533 LAST YEAR OF HIS LIFE. 477 00:11:07,533 --> 00:11:08,433 JOC COULDN'T MAKE IT. 478 00:11:08,433 --> 00:11:09,400 BUT BELIEVE ME, 479 00:11:09,400 --> 00:11:10,400 I WOULD HAVE HIM DOING 480 00:11:10,400 --> 00:11:12,067 THE SAME THING AND MORE. 481 00:11:12,067 --> 00:11:13,133 SHIRLEEN, YOU KNOW, 482 00:11:13,133 --> 00:11:14,367 I KNOW YOU GOT YOUR DAUGHTER'S 483 00:11:14,367 --> 00:11:15,533 BEST INTEREST AT HEART. 484 00:11:15,533 --> 00:11:16,900 YOU KNOW, I DO LOVE YOU, BUT I 485 00:11:16,900 --> 00:11:19,200 WANT THE OLD SHIRLEEN BACK. 486 00:11:19,200 --> 00:11:20,733 I BROKE YOUR SHADES, SO HERE, 487 00:11:20,733 --> 00:11:21,533 REAL QUICK, 488 00:11:21,533 --> 00:11:23,400 THESE IS PRADA GLASSES. 489 00:11:23,400 --> 00:11:24,467 SO HERE. 490 00:11:24,467 --> 00:11:28,367 MY GOD. 491 00:11:28,367 --> 00:11:29,500 ALL RIGHT, MM-HMM. 492 00:11:29,500 --> 00:11:30,600 THEY STILL THERE. 493 00:11:30,600 --> 00:11:31,867 SEE? 494 00:11:31,867 --> 00:11:32,533 THANK YOU. 495 00:11:32,533 --> 00:11:33,367 SO I'M WAITING FOR THAT BIKE 496 00:11:33,367 --> 00:11:34,400 TO POP UP. 497 00:11:34,400 --> 00:11:37,267 [laughter] 498 00:11:37,267 --> 00:11:38,333 SO I GUESS I'M NOT GETTING 499 00:11:38,333 --> 00:11:40,300 MY BIKE FROM SHIRLEEN TODAY. 500 00:11:40,300 --> 00:11:41,233 THAT'S COOL. 501 00:11:41,233 --> 00:11:42,200 YOU KNOW, ALL MY TROUBLES 502 00:11:42,200 --> 00:11:43,500 STARTED WITH MY WIFE 503 00:11:43,500 --> 00:11:44,767 WHEN I WENT TO THIS CABIN 504 00:11:44,767 --> 00:11:46,100 FOR A FISHING TRIP 505 00:11:46,100 --> 00:11:48,333 WITH BOBBY V AND BENZINO, 506 00:11:48,333 --> 00:11:50,067 AND THEY GOT GIRLS 507 00:11:50,067 --> 00:11:53,067 AND STRIP POKER AND LIQUOR 508 00:11:53,067 --> 00:11:54,167 AND ALL THIS CRAP. 509 00:11:54,167 --> 00:11:55,467 I'M APOLOGIZING FOR ALL 510 00:11:55,467 --> 00:11:57,533 OF THOSE PROBLEMS I CAUSED. 511 00:11:57,533 --> 00:11:58,733 AND I'M GLAD THAT THEY'RE HERE, 512 00:11:58,733 --> 00:11:59,467 SO THEY CAN TAKE 513 00:11:59,467 --> 00:12:01,800 SOME OF THE DAMN BLAME. 514 00:12:01,800 --> 00:12:03,100 BENZINO WAS LIKE, "COME WITH ME. 515 00:12:03,100 --> 00:12:04,367 WE'RE GOING FISHING." 516 00:12:04,367 --> 00:12:06,667 AND THAT JOINT DONE 517 00:12:06,667 --> 00:12:07,867 GOT ME IN SO MUCH TROUBLE, 518 00:12:07,867 --> 00:12:08,533 AND I'M LIKE, "YO..." 519 00:12:08,533 --> 00:12:09,333 WE LOVE YOU, KIRK. 520 00:12:09,333 --> 00:12:10,067 YOU KNOW WHAT I'M SAYING? 521 00:12:10,067 --> 00:12:10,800 I LOVE Y'ALL TOO, MAN. 522 00:12:10,800 --> 00:12:11,867 I'M JUST HAPPY TO BE HERE. 523 00:12:11,867 --> 00:12:13,167 I MEAN, I PROMISE YOU, 524 00:12:13,167 --> 00:12:14,467 IT WASN'T MY FAULT. 525 00:12:14,467 --> 00:12:15,367 BUT I WAS THERE, 526 00:12:15,367 --> 00:12:16,933 GUILTY BY ASSOCIATION, I KNOW. 527 00:12:16,933 --> 00:12:17,933 I JUST WANT TO MAKE SURE 528 00:12:17,933 --> 00:12:18,600 RASHEEDA DOESN'T HAVE 529 00:12:18,600 --> 00:12:19,267 ANY ISSUES WITH ME. 530 00:12:19,267 --> 00:12:19,967 YOU KNOW WHAT I'M SAYING? 531 00:12:19,967 --> 00:12:21,067 I WANT TO MOVE PAST THAT. 532 00:12:21,067 --> 00:12:22,367 IT'S ALL LOVE, BABY. 533 00:12:22,367 --> 00:12:23,167 I REALLY WAS GONNA 534 00:12:23,167 --> 00:12:24,467 DO THIS JOINT, LIKE, 535 00:12:24,467 --> 00:12:26,267 A FEW WEEKS BACK. 536 00:12:26,267 --> 00:12:27,800 AND YOU GETTING SHOT 537 00:12:27,800 --> 00:12:28,900 AND EVERYTHING, I WAS LIKE, 538 00:12:28,900 --> 00:12:29,933 "NO, I CAN'T EVEN DO IT 539 00:12:29,933 --> 00:12:31,867 WITHOUT Z, SO LET'S HOLD TIGHT." 540 00:12:31,867 --> 00:12:32,933 AND SO I'M GLAD YOU'RE HERE. 541 00:12:32,933 --> 00:12:34,167 YOU KNOW WHAT I'M SAYING? 542 00:12:34,167 --> 00:12:34,833 WE GOOD. 543 00:12:34,833 --> 00:12:35,533 I LOVE YOU. 544 00:12:35,533 --> 00:12:36,367 SO I'M HAPPY TO BE HERE 545 00:12:36,367 --> 00:12:37,467 AT THE APOLOGY PARTY. 546 00:12:37,467 --> 00:12:38,133 I MEAN, 547 00:12:38,133 --> 00:12:39,067 I'M HAPPY TO BE RECUPERATING. 548 00:12:39,067 --> 00:12:39,767 I'M HAPPY TO BE 549 00:12:39,767 --> 00:12:40,867 STANDING WITH MY FRIENDS. 550 00:12:40,867 --> 00:12:42,667 AND MAYBE I CAN MAKE AMENDS 551 00:12:42,667 --> 00:12:43,733 WITH RASHEEDA AND HER MOM 552 00:12:43,733 --> 00:12:44,533 ABOUT MY PART 553 00:12:44,533 --> 00:12:45,833 IN THE CABIN SITUATION. 554 00:12:45,833 --> 00:12:46,867 YOU KNOW, I DIDN'T KNOW 555 00:12:46,867 --> 00:12:47,933 THAT I HAD TO SAY SORRY TOO. 556 00:12:47,933 --> 00:12:48,600 I THOUGHT THIS WAS 557 00:12:48,600 --> 00:12:49,833 A KIRK SORRY PARTY. 558 00:12:49,833 --> 00:12:50,800 YOU KNOW WHAT I'M SAYING? 559 00:12:50,800 --> 00:12:51,600 YOU SORRY. 560 00:12:51,600 --> 00:12:53,567 I WENT WITH YOU. 561 00:12:53,567 --> 00:12:54,567 I DIDN'T KNOW THERE WAS GONNA 562 00:12:54,567 --> 00:12:55,867 BE A BUNCH OF GIRLS UP HERE. 563 00:12:55,867 --> 00:12:56,667 I'M GONNA HAVE TO 564 00:12:56,667 --> 00:12:57,567 PUT THAT ON BOBBY. 565 00:12:57,567 --> 00:12:58,267 YOU KNOW WHAT I'M SAYING? 566 00:12:58,267 --> 00:12:59,133 REALLY. 567 00:12:59,133 --> 00:13:00,067 BOBBY, YOU NEED TO PROBABLY 568 00:13:00,067 --> 00:13:00,700 COME UP HERE 569 00:13:00,700 --> 00:13:02,067 AND SAY A LITTLE SORRY. 570 00:13:02,067 --> 00:13:03,067 IF I'M GONNA SAY SORRY, 571 00:13:03,067 --> 00:13:05,867 THEN WE ALL SHOULD SAY SORRY. 572 00:13:05,867 --> 00:13:07,900 BECAUSE ONE THING I CAN SAY 573 00:13:07,900 --> 00:13:09,900 IS THAT I CAN ONLY HOPE 574 00:13:09,900 --> 00:13:12,433 THAT ME AND THI THI CAN BE 575 00:13:12,433 --> 00:13:14,433 AS STRONG AS KIRK AND RASHEEDA 576 00:13:14,433 --> 00:13:16,333 TO GO AS LONG AS THEY HAVE. 577 00:13:16,333 --> 00:13:17,067 SO, RASHEEDA, 578 00:13:17,067 --> 00:13:18,767 I WANT TO APOLOGIZE TO YOU. 579 00:13:18,767 --> 00:13:19,533 IT WASN'T PROBABLY 580 00:13:19,533 --> 00:13:21,067 THE PROPER THING TO DO 581 00:13:21,067 --> 00:13:22,167 TO BRING HIM UP THERE. 582 00:13:22,167 --> 00:13:23,533 SO I JUST WANT TO APOLOGIZE. 583 00:13:23,533 --> 00:13:24,500 AND IF THERE'S ANYBODY ELSE 584 00:13:24,500 --> 00:13:25,400 I HAVE TO APOLOGIZE, 585 00:13:25,400 --> 00:13:26,233 THEN Y'ALL LET ME KNOW, 586 00:13:26,233 --> 00:13:27,700 AND I JUST SEND THEM EMAILS. 587 00:13:27,700 --> 00:13:30,300 [laughter] 588 00:13:30,300 --> 00:13:31,367 HOPEFULLY, THIS WILL PUT 589 00:13:31,367 --> 00:13:32,667 AN END TO ALL THE BEEF 590 00:13:32,667 --> 00:13:34,267 THAT RASHEEDA HAS WITH BENZINO. 591 00:13:34,267 --> 00:13:35,133 BUT TODAY 592 00:13:35,133 --> 00:13:36,933 IS JUST ALL ABOUT RASHEEDA. 593 00:13:36,933 --> 00:13:38,367 SHE'S THE ONE THAT I HURT, 594 00:13:38,367 --> 00:13:39,867 AND I'M HOPING THAT THIS APOLOGY 595 00:13:39,867 --> 00:13:41,900 PUT AN END TO ALL THE B.S. 596 00:13:41,900 --> 00:13:42,900 RASHEEDA, REAL QUICK, 597 00:13:42,900 --> 00:13:45,400 I GOT A QUICK GIFT FOR YOU. 598 00:13:45,400 --> 00:13:47,100 YOU KNOW, I KNOW I STUMBLED, 599 00:13:47,100 --> 00:13:49,300 AND I DID DNA TESTS. 600 00:13:49,300 --> 00:13:51,100 I DONE DID A LOT OF STUFF. 601 00:13:51,100 --> 00:13:51,767 AT THE END OF THE DAY, 602 00:13:51,767 --> 00:13:53,333 I'M JUST SAYING I'M SORRY. 603 00:13:53,333 --> 00:13:54,100 I LOVE YOU. 604 00:13:54,100 --> 00:13:55,367 I AIN'T TRYING TO HURT YOU. 605 00:13:55,367 --> 00:13:56,967 BUT THIS IS A HEART. 606 00:13:56,967 --> 00:13:58,133 AND I BROUGHT YOU THIS, 607 00:13:58,133 --> 00:13:58,933 LIKE, A LONG TIME AGO, 608 00:13:58,933 --> 00:13:59,733 AND YOU LOST IT. 609 00:13:59,733 --> 00:14:02,267 AND I JUST WANT TO REPLACE IT. 610 00:14:02,267 --> 00:14:04,133 SO THIS IS REALLY LIKE MY HEART, 611 00:14:04,133 --> 00:14:05,333 SO IT CAN BE BY YOUR HEART. 612 00:14:05,333 --> 00:14:07,633 AWW. 613 00:14:07,633 --> 00:14:10,067 THAT WAS CUTE. 614 00:14:10,067 --> 00:14:11,467 LET'S GO, KIRK. 615 00:14:11,467 --> 00:14:12,133 THANK YOU. 616 00:14:12,133 --> 00:14:15,433 AND I NEED THIS OTHER THING 617 00:14:15,433 --> 00:14:16,300 TO COME OVER HERE REAL QUICK. 618 00:14:16,300 --> 00:14:17,233 WHAT THING YOU TALKING ABOUT? 619 00:14:17,233 --> 00:14:17,933 SHE'S BEAUTIFUL. 620 00:14:17,933 --> 00:14:20,833 SHE'S BLACK AND WHITE. 621 00:14:20,833 --> 00:14:22,833 OH, LORD. 622 00:14:27,333 --> 00:14:30,200 LET ME SAY SOMETHING. 623 00:14:30,200 --> 00:14:32,767 WHAT A ROUGH PATCH 624 00:14:32,767 --> 00:14:35,233 THAT YOU CAN HAVE IN A MARRIAGE. 625 00:14:35,233 --> 00:14:37,700 IT TOOK A WHILE FOR ME TO BEGIN 626 00:14:37,700 --> 00:14:40,800 TO WANT TO TRUST HIM AGAIN, 627 00:14:40,800 --> 00:14:42,067 BECAUSE I WAS HURT. 628 00:14:42,067 --> 00:14:42,967 BUT AT THE END OF THE DAY, 629 00:14:42,967 --> 00:14:43,667 AS A WIFE, 630 00:14:43,667 --> 00:14:44,567 AND WHEN YOU STEP 631 00:14:44,567 --> 00:14:45,233 INTO A COMMITMENT, 632 00:14:45,233 --> 00:14:46,233 I FELT LIKE THAT'S THE THING 633 00:14:46,233 --> 00:14:47,167 THAT YOU'RE SUPPOSED TO DO. 634 00:14:47,167 --> 00:14:48,300 'CAUSE WHEN THE ROAD GET ROUGH, 635 00:14:48,300 --> 00:14:49,600 YOU DON'T JUST RUN. 636 00:14:49,600 --> 00:14:50,433 YOU DON'T HAVE NO ROOM FOR 637 00:14:50,433 --> 00:14:51,333 ERROR, JUST TO MAKE THAT CLEAR. 638 00:14:51,333 --> 00:14:52,667 EVERYBODY BE A WITNESS OF THAT. 639 00:14:52,667 --> 00:14:53,333 THAT'S RIGHT. 640 00:14:53,333 --> 00:14:54,267 BUT I WANTED TO SAY 641 00:14:54,267 --> 00:14:55,933 I APPRECIATE ALL THE EFFORT 642 00:14:55,933 --> 00:14:57,200 THAT YOU'VE BEEN GIVING SO FAR 643 00:14:57,200 --> 00:14:58,733 TO PROVE YOUR LOVE TO ME. 644 00:14:58,733 --> 00:15:00,867 AND HOPEFULLY, YOU UNDERSTAND 645 00:15:00,867 --> 00:15:02,100 WHAT YOU GOT AND GET YOUR 646 00:15:02,100 --> 00:15:03,067 [bleep] TOGETHER FOREVER. 647 00:15:03,067 --> 00:15:03,700 OKAY? 648 00:15:03,700 --> 00:15:07,200 FOREVER, EVER? 649 00:15:07,200 --> 00:15:07,867 OKAY? 650 00:15:07,867 --> 00:15:10,567 FOREVER, EVER, EVER. 651 00:15:10,567 --> 00:15:11,767 I'M ABOUT TO GO GET 652 00:15:11,767 --> 00:15:13,200 IN MY DROP-TOP. 653 00:15:13,200 --> 00:15:15,100 SEE YA. 654 00:15:15,100 --> 00:15:16,433 I BE TELLING KIRK IT'S NOT 655 00:15:16,433 --> 00:15:18,067 ABOUT THE MATERIAL THINGS. 656 00:15:18,067 --> 00:15:19,733 BUT, BITCH, DO YOU KNOW HOW CUTE 657 00:15:19,733 --> 00:15:20,900 MY HAIR FINNA TO BE LOOKING, 658 00:15:20,900 --> 00:15:21,767 BLOWING IN THE WIND 659 00:15:21,767 --> 00:15:24,500 IN THIS DROP-TOP? 660 00:15:24,500 --> 00:15:25,467 I SEE YOUR HOMEGIRLS 661 00:15:25,467 --> 00:15:26,400 OVER THERE. 662 00:15:26,400 --> 00:15:27,733 YEAH, YOU KNOW, IT'S COOL. 663 00:15:27,733 --> 00:15:28,700 I MEAN, I WANT TO SAY HI, 664 00:15:28,700 --> 00:15:29,900 YOU KNOW. 665 00:15:29,900 --> 00:15:31,500 KARLIE HAS SENT YOU MESSAGES 666 00:15:31,500 --> 00:15:32,700 AND STUFF OVER INSTAGRAM. 667 00:15:32,700 --> 00:15:33,800 I SHOULD SAY HI; SHE WAS SENDING 668 00:15:33,800 --> 00:15:35,100 YOU WELL WISHES AND STUFF. 669 00:15:35,100 --> 00:15:36,400 THIS IS AN APOLOGY PARTY. 670 00:15:36,400 --> 00:15:37,533 THE FAMILY'S HERE. 671 00:15:37,533 --> 00:15:38,800 WE DON'T NEED NONE OF THAT HERE. 672 00:15:38,800 --> 00:15:39,633 NO, I'MA SAY HI, 673 00:15:39,633 --> 00:15:41,067 LIKE, SINCERELY. 674 00:15:41,067 --> 00:15:41,800 CAN WE EAT FIRST, 675 00:15:41,800 --> 00:15:42,933 JUST IN CASE THERE'S PROBLEMS? 676 00:15:42,933 --> 00:15:44,967 I'M STARVING AS HELL. 677 00:15:44,967 --> 00:15:46,467 ESPECIALLY WITH RASHEEDA'S 678 00:15:46,467 --> 00:15:47,133 MOTHER HERE. 679 00:15:47,133 --> 00:15:48,067 NOW, YOU KNOW I HAD TO COME 680 00:15:48,067 --> 00:15:49,633 SUPPORT MY MAN KIRK. 681 00:15:49,633 --> 00:15:50,533 BUT I ADMIT 682 00:15:50,533 --> 00:15:51,667 IT'S A LITTLE AWKWARD THAT 683 00:15:51,667 --> 00:15:53,367 THELMA AND LOUISE IS OVER HERE. 684 00:15:53,367 --> 00:15:54,067 I HAVEN'T SEEN THEM 685 00:15:54,067 --> 00:15:55,933 SINCE THAT GRAND-OPENING FIASCO. 686 00:15:55,933 --> 00:15:57,400 AND IT'S LIKE, "OH, BOY." 687 00:15:57,400 --> 00:15:59,067 ALL I KNOW, IT BETTER NOT BE 688 00:15:59,067 --> 00:16:00,933 NO DRINK-TOSSING THIS TIME. 689 00:16:00,933 --> 00:16:01,867 AND I EXPECT THI THI 690 00:16:01,867 --> 00:16:03,433 TO BE ON HER BEST BEHAVIOR. 691 00:16:03,433 --> 00:16:04,433 HOW Y'ALL DOING? 692 00:16:04,433 --> 00:16:05,167 WHAT'S UP? 693 00:16:05,167 --> 00:16:07,067 WHAT'S UP, ERICA, KARLIE? 694 00:16:07,067 --> 00:16:07,767 WHAT'S UP? 695 00:16:07,767 --> 00:16:08,433 OF COURSE, 696 00:16:08,433 --> 00:16:11,733 Y'ALL REMEMBER THI THI. 697 00:16:11,733 --> 00:16:13,900 DO YOU ANY REMORSE 698 00:16:13,900 --> 00:16:15,833 IN YOUR SOUL? 699 00:16:15,833 --> 00:16:16,933 I SAID I WAS SORRY. 700 00:16:16,933 --> 00:16:17,600 SO THEN THAT SHOULD BE-- 701 00:16:17,600 --> 00:16:18,500 THAT SHOULD DEAD THAT. 702 00:16:18,500 --> 00:16:19,400 IT DON'T MATTER. 703 00:16:19,400 --> 00:16:21,900 OH, MY GOSH. 704 00:16:32,867 --> 00:16:34,067 WHEN I TOLD MA DUKE 705 00:16:34,067 --> 00:16:35,433 WHAT HAPPENED WITH ME AND PINKY, 706 00:16:35,433 --> 00:16:37,200 MAN, SHORTY CAUGHT FIRE. 707 00:16:37,200 --> 00:16:39,333 SHE DIDN'T HAVE NO WORDS FOR ME. 708 00:16:39,333 --> 00:16:40,733 BUT, I MEAN, IT SEEMS LIKE 709 00:16:40,733 --> 00:16:42,267 MOMMA DEE READY TO TALK NOW. 710 00:16:42,267 --> 00:16:43,333 BUT PERSONALLY, 711 00:16:43,333 --> 00:16:44,933 I REALLY AIN'T READY TO HEAR 712 00:16:44,933 --> 00:16:46,933 WHAT SHE GOT TO SAY. 713 00:16:47,833 --> 00:16:48,567 I CALLED YOU OVER HERE 714 00:16:48,567 --> 00:16:49,833 TO TALK TO YOU. 715 00:16:49,833 --> 00:16:50,500 I WENT TO GO 716 00:16:50,500 --> 00:16:52,167 VISIT ERICA PINKETT. 717 00:16:52,167 --> 00:16:53,933 YEAH. 718 00:16:53,933 --> 00:16:55,067 'CAUSE, YOU KNOW, YOU TOLD ME 719 00:16:55,067 --> 00:16:56,500 YOUR SIDE OF THE STORY, 720 00:16:56,500 --> 00:16:57,833 AND, YOU KNOW, BEING A WOMAN, 721 00:16:57,833 --> 00:16:58,600 I JUST HAD TO HEAR 722 00:16:58,600 --> 00:17:00,567 THE WHOLE STORY, BUT-- 723 00:17:00,567 --> 00:17:01,400 WHY WOULD YOU EVEN GO HOLLER 724 00:17:01,400 --> 00:17:02,067 AT HER? 725 00:17:02,067 --> 00:17:02,733 LIKE, ARE YOU SERIOUS? 726 00:17:02,733 --> 00:17:03,867 BECAUSE IT'S TWO SIDES 727 00:17:03,867 --> 00:17:06,300 TO A STORY, YOUR SIDE, HER SIDE, 728 00:17:06,300 --> 00:17:07,200 AND THEN THERE'S THE TRUTH 729 00:17:07,200 --> 00:17:08,667 SOMEWHERE IN THE MIDDLE. 730 00:17:08,667 --> 00:17:10,133 I CAN BE FUN, 731 00:17:10,133 --> 00:17:11,800 AND I CAN GET A LITTLE CRAZY. 732 00:17:11,800 --> 00:17:13,567 BUT AT THE END OF THE DAY, 733 00:17:13,567 --> 00:17:16,067 THIS IS A VERY SERIOUS MATTER. 734 00:17:16,067 --> 00:17:18,133 AS A MOTHER, I LIKE TO THINK 735 00:17:18,133 --> 00:17:19,867 THAT I RAISED SCRAPPY TO BE 736 00:17:19,867 --> 00:17:21,500 A RESPECTFUL AND HONEST MAN 737 00:17:21,500 --> 00:17:25,133 TO ALL WOMEN. 738 00:17:25,133 --> 00:17:27,700 I FEEL LIKE I FAILED HIM. 739 00:17:27,700 --> 00:17:29,800 I GOT TO STRAIGHTEN THIS. 740 00:17:29,800 --> 00:17:31,100 SHE MENTIONED THAT YOU 741 00:17:31,100 --> 00:17:33,367 TOLD HER AS A FRIEND, LIKE, 742 00:17:33,367 --> 00:17:34,333 YOU WOULD NEVER LET 743 00:17:34,333 --> 00:17:36,200 NOBODY HURT HER AND STUFF. 744 00:17:36,200 --> 00:17:37,167 BUT YOU ENDED UP BEING 745 00:17:37,167 --> 00:17:38,833 THE PERSON THAT HURT HER WORSE. 746 00:17:38,833 --> 00:17:40,067 DON'T YOU HAVE ANY FEELINGS 747 00:17:40,067 --> 00:17:40,767 FOR THAT? 748 00:17:40,767 --> 00:17:41,433 I THINK YOU 749 00:17:41,433 --> 00:17:43,067 SHOULD'VE JUST LEFT IT ALONE. 750 00:17:43,067 --> 00:17:43,733 YOU FEEL ME? 751 00:17:43,733 --> 00:17:44,633 NO. 752 00:17:44,633 --> 00:17:45,300 JUST LEAVE IT ALONE. 753 00:17:45,300 --> 00:17:45,967 BUT SHE NEEDED TO KNOW 754 00:17:45,967 --> 00:17:47,700 THAT SHE HAD A WOMAN 755 00:17:47,700 --> 00:17:48,833 BY HER SIDE, BECAUSE-- 756 00:17:48,833 --> 00:17:49,633 BY HER SIDE? 757 00:17:49,633 --> 00:17:50,300 YEAH. 758 00:17:50,300 --> 00:17:51,467 SHE WAS VERY HURT. 759 00:17:51,467 --> 00:17:52,967 I WAS VERY HURT. 760 00:17:52,967 --> 00:17:53,633 OKAY, 761 00:17:53,633 --> 00:17:54,433 SO BOTH OF YOU WERE HURT. 762 00:17:54,433 --> 00:17:55,833 SHE JUST DID A 360. 763 00:17:55,833 --> 00:17:57,133 YOU COOL AND THEN 764 00:17:57,133 --> 00:17:58,700 YOU JUST START TRYING TO-- 765 00:17:58,700 --> 00:17:59,833 YOU GONNA TRY TO GO IN ON ME? 766 00:17:59,833 --> 00:18:01,067 WHAT YOU GONNA GO IN FOR? 767 00:18:01,067 --> 00:18:02,333 SO THAT'S HOW IT GOT STARTED? 768 00:18:02,333 --> 00:18:03,567 YEAH. 769 00:18:03,567 --> 00:18:05,067 I BELIEVE SCRAPPY WAS HURT. 770 00:18:05,067 --> 00:18:05,833 AFTER ALL, 771 00:18:05,833 --> 00:18:07,067 I KNOW SCRAPPY'S CAREER 772 00:18:07,067 --> 00:18:08,533 HAS NOT BEEN GOING ON LATELY 773 00:18:08,533 --> 00:18:09,533 LIKE HE WANT IT TO BE. 774 00:18:09,533 --> 00:18:11,133 BUT THAT'S NO REASON FOR HIM 775 00:18:11,133 --> 00:18:13,267 TO LASH OUT ON ERICA PINKETT. 776 00:18:13,267 --> 00:18:14,767 I TAUGHT HIM BETTER THAN THAT. 777 00:18:14,767 --> 00:18:16,700 DO YOU HAVE ANY REMORSE 778 00:18:16,700 --> 00:18:20,600 IN YOUR SOUL? 779 00:18:20,600 --> 00:18:22,167 I DO. 780 00:18:22,167 --> 00:18:24,533 IT WAS VERY, LIKE, IMMATURE 781 00:18:24,533 --> 00:18:25,833 FOR ME TO EVEN GET HOTHEADED 782 00:18:25,833 --> 00:18:26,533 AT THE TIME. 783 00:18:26,533 --> 00:18:27,200 YOU KNOW, I DON'T WANT 784 00:18:27,200 --> 00:18:28,167 TO BEEF WITH NO WOMAN. 785 00:18:28,167 --> 00:18:28,967 YOU KNOW WHAT I'M SAYING? 786 00:18:28,967 --> 00:18:29,767 I'M SUPPOSED TO LOVE A WOMAN. 787 00:18:29,767 --> 00:18:30,467 EXACTLY. 788 00:18:30,467 --> 00:18:31,900 I DON'T WISH THAT ON NOBODY. 789 00:18:31,900 --> 00:18:32,700 YOU KNOW WHAT I'M SAYING? 790 00:18:32,700 --> 00:18:33,567 I GOT A DAUGHTER. 791 00:18:33,567 --> 00:18:34,567 SHE GOT A LITTLE GIRL. 792 00:18:34,567 --> 00:18:35,467 YOU KNOW, SHE DOING HER THING. 793 00:18:35,467 --> 00:18:36,167 YOU KNOW WHAT I'M SAYING? 794 00:18:36,167 --> 00:18:38,167 THIS CAN NEVER, 795 00:18:38,167 --> 00:18:41,333 EVER HAPPEN AGAIN. 796 00:18:41,333 --> 00:18:42,700 AND I MEAN IT. 797 00:18:42,700 --> 00:18:45,067 DON'T YOU EVER REACT TO THE WAY 798 00:18:45,067 --> 00:18:46,333 THAT YOU ACTED ON THAT DAY. 799 00:18:46,333 --> 00:18:47,800 SO SOMEBODY'S SUPPOSED TO 800 00:18:47,800 --> 00:18:48,933 DISRESPECT THE HELL OUT OF ME, 801 00:18:48,933 --> 00:18:49,800 AND I'M SUPPOSED TO BE LIKE-- 802 00:18:49,800 --> 00:18:50,633 NO, I'M NOT SAYING THAT. 803 00:18:50,633 --> 00:18:51,300 BUT I'M SAYING, 804 00:18:51,300 --> 00:18:52,433 AS A MAN, REALLY? 805 00:18:52,433 --> 00:18:53,167 YOU COULD'VE 806 00:18:53,167 --> 00:18:54,067 WALKED AWAY FROM THAT. 807 00:18:54,067 --> 00:18:55,733 COME ON NOW. 808 00:18:55,733 --> 00:18:57,200 I MEAN MA DUKE RIGHT, 809 00:18:57,200 --> 00:18:57,867 SAY, YOU KNOW, 810 00:18:57,867 --> 00:18:59,667 I KIND OF WENT OFF THE EDGE. 811 00:18:59,667 --> 00:19:00,467 I KIND OF LET MY ANGER 812 00:19:00,467 --> 00:19:01,133 GET TO ME, 813 00:19:01,133 --> 00:19:01,800 'CAUSE I WAS GOING 814 00:19:01,800 --> 00:19:02,467 THROUGH SOMETHING. 815 00:19:02,467 --> 00:19:03,133 I WAS TURNED UP. 816 00:19:03,133 --> 00:19:03,833 YOU KNOW WHAT I'M SAYING? 817 00:19:03,833 --> 00:19:05,067 BUT I WASN'T THINKING 818 00:19:05,067 --> 00:19:06,233 ABOUT HER FEELINGS, YOU KNOW. 819 00:19:06,233 --> 00:19:07,400 I GOT A DAUGHTER AT HOME. 820 00:19:07,400 --> 00:19:08,100 YOU KNOW WHAT I'M SAYING? 821 00:19:08,100 --> 00:19:09,333 I DON'T NEVER WANT HER TO GO 822 00:19:09,333 --> 00:19:10,133 THROUGH NOTHING LIKE THAT. 823 00:19:10,133 --> 00:19:10,867 YOU KNOW WHAT I'M SAYING? 824 00:19:10,867 --> 00:19:11,700 AND I DON'T WANT HER TO BE 825 00:19:11,700 --> 00:19:12,633 EMBARRASSED OF LOOKING 826 00:19:12,633 --> 00:19:13,367 AT HER DAD, 827 00:19:13,367 --> 00:19:14,833 LIKE, YOU KNOW, IN A BAD WAY. 828 00:19:14,833 --> 00:19:16,700 SO DEFINITELY--I DEFINITELY GOT 829 00:19:16,700 --> 00:19:18,600 TO GO AND APOLOGIZE TO PINKY. 830 00:19:18,600 --> 00:19:20,233 I'M GONNA GIVE HER A CALL 831 00:19:20,233 --> 00:19:22,067 AND INVITE HER OVER. 832 00:19:22,067 --> 00:19:22,900 HUH? 833 00:19:22,900 --> 00:19:23,733 YOU HEARD ME. 834 00:19:23,733 --> 00:19:24,433 WHY, 835 00:19:24,433 --> 00:19:25,500 SO YOU CAN BE THE REFEREE? 836 00:19:25,500 --> 00:19:26,700 I AIN'T GOT TO BE A REFEREE, 837 00:19:26,700 --> 00:19:30,800 BECAUSE THIS IS FOR AN APOLOGY. 838 00:19:30,800 --> 00:19:33,067 SHE MISSES YOUR FRIENDSHIP. 839 00:19:33,067 --> 00:19:34,133 SHE REALLY DOES. 840 00:19:34,133 --> 00:19:34,800 OKAY. 841 00:19:34,800 --> 00:19:35,733 SHE MADE ME CRY. 842 00:19:35,733 --> 00:19:38,267 NO, LIKE, FOR REAL, LIKE, 843 00:19:38,267 --> 00:19:40,333 SHORTY WAS A REAL COOL FRIEND. 844 00:19:40,333 --> 00:19:42,133 SHORTY, LIKE, SHE NEED A FRIEND, 845 00:19:42,133 --> 00:19:42,800 'CAUSE 846 00:19:42,800 --> 00:19:44,067 SHE NOT EVEN FROM DOWN HERE. 847 00:19:44,067 --> 00:19:45,167 SHE AIN'T GOT NOBODY. 848 00:19:45,167 --> 00:19:45,867 YOU KNOW WHAT I'M SAYING? 849 00:19:45,867 --> 00:19:46,533 WOW. 850 00:19:46,533 --> 00:19:47,400 SO YOU KNOW YOU GOT 851 00:19:47,400 --> 00:19:48,067 TO MAKE UP FOR THIS. 852 00:19:48,067 --> 00:19:49,067 SO, LIKE, BY ME BEING, 853 00:19:49,067 --> 00:19:49,900 LIKE, ONE OF THE PEOPLE 854 00:19:49,900 --> 00:19:50,667 THAT SHE, YOU KNOW, 855 00:19:50,667 --> 00:19:51,633 NORMALLY TALKS TO... 856 00:19:51,633 --> 00:19:52,367 YOU KNOW WHAT I'M SAYING? 857 00:19:52,367 --> 00:19:53,333 I WAS LIKE, "WOW." 858 00:19:53,333 --> 00:19:54,500 JUST LEAVE IT UP TO ME. 859 00:19:54,500 --> 00:19:55,167 GIVE ME A HUG. 860 00:19:55,167 --> 00:19:57,167 I'M STILL MAMA. 861 00:19:58,833 --> 00:19:59,500 I LOVE YOU. 862 00:19:59,500 --> 00:20:01,500 I LOVE YOU TOO. 863 00:20:04,833 --> 00:20:05,867 THIS IS A BEAUTIFUL THING, 864 00:20:05,867 --> 00:20:06,767 AN APOLOGY PARTY. 865 00:20:06,767 --> 00:20:08,467 AND IT KIND OF SETS THE TONE OF, 866 00:20:08,467 --> 00:20:09,700 LIKE--YOU KNOW WHAT I'M SAYING? 867 00:20:09,700 --> 00:20:10,633 LIKE, LIFE IS SHORT. 868 00:20:10,633 --> 00:20:12,667 AND WHAT ARE WE ALL ARGUING... 869 00:20:12,667 --> 00:20:13,367 YOU KNOW WHAT I'M SAYING? 870 00:20:13,367 --> 00:20:14,433 AND BEING NEGATIVE FOR? 871 00:20:14,433 --> 00:20:15,333 LIKE, 872 00:20:15,333 --> 00:20:16,200 THAT'S WHAT I JUST HAD TO SAY. 873 00:20:16,200 --> 00:20:17,067 I DON'T GOT NOTHING ELSE TO SAY. 874 00:20:17,067 --> 00:20:18,467 YEAH, I JUST WANTED TO TALK 875 00:20:18,467 --> 00:20:19,400 ABOUT THAT NIGHT 876 00:20:19,400 --> 00:20:20,733 AND APOLOGIZE TO YOU 877 00:20:20,733 --> 00:20:22,167 IF I--DID I HIT YOU 878 00:20:22,167 --> 00:20:23,433 WHEN THE DRINK FLEW? 879 00:20:23,433 --> 00:20:24,100 YEAH. 880 00:20:24,100 --> 00:20:24,767 I DIDN'T MEAN 881 00:20:24,767 --> 00:20:26,467 TO THROW IT AT YOU. 882 00:20:26,467 --> 00:20:28,333 HOPEFULLY, THAT'S IN THE PAST. 883 00:20:28,333 --> 00:20:29,933 YOU OWE ME AN APOLOGY TOO. 884 00:20:29,933 --> 00:20:31,367 NOT REALLY. 885 00:20:31,367 --> 00:20:32,567 WAIT, HOLD ON FOR THAT. 886 00:20:32,567 --> 00:20:33,467 WHY WERE YOU SO HEATED? 887 00:20:33,467 --> 00:20:34,667 I'M JUST CURIOUS. 888 00:20:34,667 --> 00:20:35,433 BECAUSE, LIKE, 889 00:20:35,433 --> 00:20:36,800 IT WAS OUR BIG NIGHT. 890 00:20:36,800 --> 00:20:37,467 MM-HMM. 891 00:20:37,467 --> 00:20:38,933 AND Y'ALL WAS JUST POPPING 892 00:20:38,933 --> 00:20:40,333 OFF AT THE MOUTH AND EVERYTHING. 893 00:20:40,333 --> 00:20:41,000 BUT YOU WERE TOO. 894 00:20:41,000 --> 00:20:42,267 WHO WAS POPPING OFF? 895 00:20:42,267 --> 00:20:43,000 Y'ALL WAS 896 00:20:43,000 --> 00:20:44,033 SAYING CRAZY THINGS, 897 00:20:44,033 --> 00:20:45,100 LIKE, SIZING ME UP AND DOWN 898 00:20:45,100 --> 00:20:45,800 AND STUFF LIKE THAT. 899 00:20:45,800 --> 00:20:46,633 WHY WOULD I HAVE A REASON 900 00:20:46,633 --> 00:20:47,333 TO SIZE YOU UP? 901 00:20:47,333 --> 00:20:48,233 I DON'T WANT HIM. 902 00:20:48,233 --> 00:20:49,000 YEAH, WELL-- 903 00:20:49,000 --> 00:20:49,833 AND I DON'T, EITHER. 904 00:20:49,833 --> 00:20:50,767 BUT YOU WAS POPPING, 905 00:20:50,767 --> 00:20:52,733 I GUESS, DEFENDING YOUR FRIEND. 906 00:20:52,733 --> 00:20:54,100 NOT AT ALL. 907 00:20:54,100 --> 00:20:54,933 YOU WAS SAYING STUFF-- 908 00:20:54,933 --> 00:20:56,067 'CAUSE IF I POP, I CAN ROCK. 909 00:20:56,067 --> 00:20:56,900 IF YOU CAN POP, YOU CAN ROCK? 910 00:20:56,900 --> 00:20:57,900 I'M TRYING TO BE NICE. 911 00:20:57,900 --> 00:20:58,600 OH, I AM TOO. 912 00:20:58,600 --> 00:20:59,433 I'M JUST LETTING YOU KNOW. 913 00:20:59,433 --> 00:21:00,200 ALL RIGHT. 914 00:21:00,200 --> 00:21:00,933 OKAY, BUT WAIT A MINUTE. 915 00:21:00,933 --> 00:21:01,600 I WAS BEING NICE. 916 00:21:01,600 --> 00:21:02,667 WHAT ARE WE DOING HERE? 917 00:21:02,667 --> 00:21:03,900 I WANT TO BE REAL. 918 00:21:03,900 --> 00:21:04,800 WE'RE AT RASHEEDA'S HOUSE. 919 00:21:04,800 --> 00:21:05,667 WE'RE NOT GONNA DO THAT HERE. 920 00:21:05,667 --> 00:21:06,333 I KNOW. 921 00:21:06,333 --> 00:21:08,100 SO ARE WE APOLOGIZING OR NOT? 922 00:21:08,100 --> 00:21:09,133 OH, I'M NOT APOLOGIZING 923 00:21:09,133 --> 00:21:10,167 FOR ANYTHING. 924 00:21:10,167 --> 00:21:10,867 SHE SAID SHE'S SORRY. 925 00:21:10,867 --> 00:21:11,533 WELL, ANYWAY. 926 00:21:11,533 --> 00:21:12,233 WELL, CALM DOWN. 927 00:21:12,233 --> 00:21:16,700 RELAX. OH, MY GOSH. 928 00:21:16,700 --> 00:21:18,133 I SAID I WAS SORRY. 929 00:21:18,133 --> 00:21:19,067 SO THEN THAT SHOULD BE-- 930 00:21:19,067 --> 00:21:20,300 THAT SHOULD DEAD THAT. 931 00:21:20,300 --> 00:21:20,967 FOR REAL. 932 00:21:20,967 --> 00:21:22,100 BUT WAIT, FIRST OF ALL-- 933 00:21:22,100 --> 00:21:22,933 YOU THE EX, 934 00:21:22,933 --> 00:21:24,533 AND YOU CAME OVER TO OUR PARTY. 935 00:21:24,533 --> 00:21:25,367 IT DON'T MATTER. 936 00:21:25,367 --> 00:21:26,533 SO THEREFORE, YOU STAY 937 00:21:26,533 --> 00:21:27,467 WITH WHATEVER YOU'RE DOING. 938 00:21:27,467 --> 00:21:28,133 IT DON'T MATTER. 939 00:21:28,133 --> 00:21:28,867 YOU UNDERSTAND WHAT I'M 940 00:21:28,867 --> 00:21:29,533 SAYING? 941 00:21:29,533 --> 00:21:30,200 IT DON'T MATTER. 942 00:21:30,200 --> 00:21:30,900 LISTEN, LISTEN. 943 00:21:30,900 --> 00:21:32,267 RASHEEDA, WE'RE LEAVING. 944 00:21:32,267 --> 00:21:33,100 IF I WERE YOU, 945 00:21:33,100 --> 00:21:34,133 I WOULDN'T POP OFF TOO MUCH, 946 00:21:34,133 --> 00:21:36,367 BECAUSE OF WHAT I GOT ON YOU. 947 00:21:36,367 --> 00:21:37,500 THE STUFF I GOT ON YOU, 948 00:21:37,500 --> 00:21:38,800 YOU'LL BE APOLOGIZING TO ME. 949 00:21:38,800 --> 00:21:39,767 BITCH, KISS MY MOTHER[bleep] 950 00:21:39,767 --> 00:21:41,067 [bleep]. 951 00:21:41,067 --> 00:21:42,700 WHAT YOU GOT ON ME? 952 00:21:42,700 --> 00:21:43,400 WAIT TILL YOU SEE WHAT I 953 00:21:43,400 --> 00:21:44,067 GOT ON YOU. 954 00:21:44,067 --> 00:21:44,767 YOU AIN'T GOT NOTHING. 955 00:21:44,767 --> 00:21:45,433 OH, NO, I GOT A LOT. 956 00:21:45,433 --> 00:21:46,100 YOU GOT THIS [bleep] 957 00:21:46,100 --> 00:21:47,567 ON YOUR MOUTH, BITCH. 958 00:21:47,567 --> 00:21:48,267 I GOT THIS RING 959 00:21:48,267 --> 00:21:49,500 ON MY FINGER, HO. 960 00:21:49,500 --> 00:21:50,433 [bleep] YOU. 961 00:21:50,433 --> 00:21:51,400 THIS BITCH DON'T KNOW. 962 00:21:51,400 --> 00:21:52,500 HER SLEEPING WITH STEVIE 963 00:21:52,500 --> 00:21:53,833 IS THE TALK OF ATLANTA. 964 00:21:53,833 --> 00:21:55,400 AND THAT'S ONLY THE BEGINNING. 965 00:21:55,400 --> 00:21:57,067 BUT I'MA KEEP IT CLASSY 966 00:21:57,067 --> 00:21:58,233 FOR MY GIRL RASHEEDA, 967 00:21:58,233 --> 00:21:59,633 'CAUSE WE ARE AT HER PARTY. 968 00:21:59,633 --> 00:22:00,467 BUT THIS BITCH 969 00:22:00,467 --> 00:22:02,633 DON'T KNOW TO ACT. 970 00:22:02,633 --> 00:22:03,300 I DON'T EVEN KNOW 971 00:22:03,300 --> 00:22:04,667 WHAT THE WHOLE ATTITUDE 972 00:22:04,667 --> 00:22:05,400 AND ALL THAT WAS ABOUT. 973 00:22:05,400 --> 00:22:06,567 MAYBE HER SHORTS WAS TOO TIGHT. 974 00:22:06,567 --> 00:22:07,500 I DON'T KNOW. 975 00:22:07,500 --> 00:22:08,167 SHE LOOK LIKE SHE GOT 976 00:22:08,167 --> 00:22:10,500 ABOUT FIVE YEAST INFECTIONS. 977 00:22:10,500 --> 00:22:12,667 YOU CANT LET THESE CHICKS 978 00:22:12,667 --> 00:22:14,400 ALWAYS GET YOU FROM ONE TO TEN 979 00:22:14,400 --> 00:22:15,567 SO EASY, MAMA. 980 00:22:15,567 --> 00:22:17,133 WE'RE IN A REAL RELATIONSHIP. 981 00:22:17,133 --> 00:22:17,800 RIGHT? 982 00:22:17,800 --> 00:22:18,467 RIGHT. 983 00:22:18,467 --> 00:22:19,867 SHE'S STILL A SINGLE GIRL. 984 00:22:19,867 --> 00:22:20,533 WELL, 985 00:22:20,533 --> 00:22:21,467 IF YOU WAS WORRIED ABOUT THAT, 986 00:22:21,467 --> 00:22:22,233 THEN WHY DID YOU EVEN GO 987 00:22:22,233 --> 00:22:23,100 APOLOGIZE FROM THE BEGINNING? 988 00:22:23,100 --> 00:22:24,100 IT'S AN APOLOGY PARTY, 989 00:22:24,100 --> 00:22:24,767 SO I THOUGHT EVERYBODY 990 00:22:24,767 --> 00:22:25,700 WAS APOLOGIZING. 991 00:22:25,700 --> 00:22:26,533 WELL, IT'S JUST--IT'S SAD, 992 00:22:26,533 --> 00:22:27,200 MAN. 993 00:22:27,200 --> 00:22:28,167 HEY, IT IS WHAT IT IS THEN. 994 00:22:28,167 --> 00:22:28,967 YEAH, IT IS WHAT IT IS. 995 00:22:28,967 --> 00:22:30,967 IT IS WHAT IT IS. 996 00:22:32,833 --> 00:22:33,967 CALL KIRK, MAN, 997 00:22:33,967 --> 00:22:35,967 TELL HIM WE'LL PROBABLY HAVE 998 00:22:35,967 --> 00:22:38,700 TO THROW ANOTHER APOLOGY PARTY. 999 00:22:38,700 --> 00:22:39,767 I'M JUST SITTING HERE 1000 00:22:39,767 --> 00:22:40,900 RIGHT NOW, LIKE, 1001 00:22:40,900 --> 00:22:42,633 FEELING SO [bleep] UP. 1002 00:22:42,633 --> 00:22:43,600 YEAH, WE TRIED. 1003 00:22:43,600 --> 00:22:44,367 BUT YOU [bleep] UP A LOT 1004 00:22:44,367 --> 00:22:45,067 OF TIMES. 1005 00:22:45,067 --> 00:22:46,067 AND I NEED A BREAK. 1006 00:22:46,067 --> 00:22:46,700 WHERE YOU GOING? 1007 00:22:46,700 --> 00:22:47,400 I'M GONNA TAKE A BREAK 1008 00:22:47,400 --> 00:22:49,400 FROM THIS. 1009 00:22:56,100 --> 00:22:57,400 MOMMA DEE HIT ME UP 1010 00:22:57,400 --> 00:22:58,833 TO SIT DOWN AND HAVE A TALK 1011 00:22:58,833 --> 00:23:00,200 WITH BOTH HER AND SCRAPPY 1012 00:23:00,200 --> 00:23:01,600 ABOUT WHAT HAD HAPPENED. 1013 00:23:01,600 --> 00:23:03,067 [knock at door] 1014 00:23:03,067 --> 00:23:04,600 HONESTLY, I'M NOT SURE 1015 00:23:04,600 --> 00:23:05,467 ABOUT THIS ONE. 1016 00:23:05,467 --> 00:23:06,667 BUT [bleep] IT. 1017 00:23:06,667 --> 00:23:07,833 I'M HERE NOW. 1018 00:23:07,833 --> 00:23:09,200 I'M GLAD YOU CAME RIGHT OVER, 1019 00:23:09,200 --> 00:23:11,133 BECAUSE I'VE BEEN 1020 00:23:11,133 --> 00:23:12,533 TALKING TO SCRAPPY. 1021 00:23:12,533 --> 00:23:13,667 I SAID I WAS GONNA CALL 1022 00:23:13,667 --> 00:23:14,933 YOU OVER HERE 1023 00:23:14,933 --> 00:23:16,767 AND THAT YOU WANTED 1024 00:23:16,767 --> 00:23:18,067 TO APOLOGIZE FOR YOUR ACTIONS, 1025 00:23:18,067 --> 00:23:18,733 AND HE NEEDED 1026 00:23:18,733 --> 00:23:20,667 TO APOLOGIZE FOR HIS. 1027 00:23:20,667 --> 00:23:22,633 I WANT HIM TO JUST MAN UP 1028 00:23:22,633 --> 00:23:23,300 AND BE THE MAN 1029 00:23:23,300 --> 00:23:25,067 THAT YOU RAISED AND SAY, 1030 00:23:25,067 --> 00:23:26,833 "I HAVE DONE SOME WRONG THINGS, 1031 00:23:26,833 --> 00:23:28,367 AND I'M READY TO BE A MAN." 1032 00:23:28,367 --> 00:23:30,067 [knock at door] 1033 00:23:30,067 --> 00:23:31,567 THAT'S HIM. 1034 00:23:31,567 --> 00:23:33,667 LET ME GO TO THE DOOR. 1035 00:23:33,667 --> 00:23:34,567 BUT I WANT MY SON 1036 00:23:34,567 --> 00:23:36,700 TO STAND UP AND BE THE MAN 1037 00:23:36,700 --> 00:23:38,167 THAT I RAISED HIM TO BE. 1038 00:23:38,167 --> 00:23:40,133 ERICA, HE'S HERE. 1039 00:23:40,133 --> 00:23:40,933 AND I DON'T THINK 1040 00:23:40,933 --> 00:23:42,967 ANYBODY WILL SAY THAT MOMMA DEE 1041 00:23:42,967 --> 00:23:45,300 NEED TO MIND HER BIZZ-NAH-EE 1042 00:23:45,300 --> 00:23:46,433 THIS TIME. 1043 00:23:46,433 --> 00:23:47,867 I CALLED BOTH YOU GUYS 1044 00:23:47,867 --> 00:23:49,067 TOGETHER BECAUSE ERICA 1045 00:23:49,067 --> 00:23:50,500 WANTED TO SAY SOME THINGS. 1046 00:23:50,500 --> 00:23:52,933 AND I THINK YOU NEED TO LISTEN. 1047 00:23:52,933 --> 00:23:53,933 ERICA. 1048 00:23:53,933 --> 00:23:57,400 FIRST, I WANT TO SAY 1049 00:23:57,400 --> 00:24:01,067 I APPRECIATE YOUR FRIENDSHIP. 1050 00:24:01,067 --> 00:24:03,433 AND I REALLY GOT SO MUCH LOVE 1051 00:24:03,433 --> 00:24:05,367 FOR YOU. 1052 00:24:05,367 --> 00:24:07,067 AND YOU'LL NEVER UNDERSTAND 1053 00:24:07,067 --> 00:24:08,633 HOW MUCH POTENTIAL 1054 00:24:08,633 --> 00:24:11,833 AND HOW MUCH I SEE IN YOU. 1055 00:24:11,833 --> 00:24:14,300 AND THAT'S THE MOST HONEST WAY 1056 00:24:14,300 --> 00:24:16,467 I CAN SAY I'M SORRY 1057 00:24:16,467 --> 00:24:17,867 IF I HURT YOUR FEELINGS, 1058 00:24:17,867 --> 00:24:19,867 BECAUSE I REALLY GOT LOVE 1059 00:24:19,867 --> 00:24:20,700 FOR YOU. 1060 00:24:20,700 --> 00:24:22,067 BUT I WAS HURT, 1061 00:24:22,067 --> 00:24:24,067 BECAUSE YOU WASN'T OWNING UP 1062 00:24:24,067 --> 00:24:26,400 TO ANYTHING THAT YOU TEXTED ME. 1063 00:24:26,400 --> 00:24:29,500 AND I FELT LIKE I GOT LEFT OUT 1064 00:24:29,500 --> 00:24:31,467 IN THE DARK. 1065 00:24:31,467 --> 00:24:32,367 MY BAD. 1066 00:24:32,367 --> 00:24:34,200 I NEVER THOUGHT THAT I 1067 00:24:34,200 --> 00:24:36,233 WOULD BE IN THAT POSITION 1068 00:24:36,233 --> 00:24:37,933 WITH MY BEST FRIEND. 1069 00:24:37,933 --> 00:24:39,800 I'M LOST FOR WORDS. 1070 00:24:39,800 --> 00:24:40,767 FOR REAL, I'M SPEECHLESS, 1071 00:24:40,767 --> 00:24:42,733 LIKE... 1072 00:24:42,733 --> 00:24:46,500 WELL, FIND THEM. 1073 00:24:46,500 --> 00:24:48,900 LIKE, 1074 00:24:48,900 --> 00:24:50,567 I GUESS WE'RE ON THE SAME PAGE. 1075 00:24:50,567 --> 00:24:51,233 BUT, YOU KNOW, 1076 00:24:51,233 --> 00:24:52,733 I MIGHT'VE DID, YOU KNOW, 1077 00:24:52,733 --> 00:24:54,367 BE A LITTLE MISLEADING. 1078 00:24:54,367 --> 00:24:55,200 YOU KNOW WHAT I'M SAYING? 1079 00:24:55,200 --> 00:24:57,167 LIKE, TEXTING 1080 00:24:57,167 --> 00:24:58,467 AND THAT WHOLE SITUATION, 1081 00:24:58,467 --> 00:24:59,833 I DIDN'T COME FOR THAT, 1082 00:24:59,833 --> 00:25:01,067 CALL YOU OUT YOUR NAME, 1083 00:25:01,067 --> 00:25:02,300 BE DISRESPECTFUL TO YOU. 1084 00:25:02,300 --> 00:25:03,467 I JUST FELT LIKE ALL THIS 1085 00:25:03,467 --> 00:25:04,867 PRESSURE THIS WHOLE TIME, 1086 00:25:04,867 --> 00:25:06,200 JUST ME TRYING 1087 00:25:06,200 --> 00:25:07,433 TO JUST BE YOUR FRIEND. 1088 00:25:07,433 --> 00:25:09,600 AND THEN FIGHTING WITH BAMBI 1089 00:25:09,600 --> 00:25:10,633 AND YOU ALLOWING IT. 1090 00:25:10,633 --> 00:25:12,067 LIKE, YOU JUST SAT BACK 1091 00:25:12,067 --> 00:25:14,133 AND WATCHED. 1092 00:25:14,133 --> 00:25:15,633 I'M JUST SITTING HERE RIGHT NOW, 1093 00:25:15,633 --> 00:25:17,633 LIKE, FEELING SO [bleep] UP, 1094 00:25:17,633 --> 00:25:20,100 BECAUSE I KNOW YOU CARE. 1095 00:25:20,100 --> 00:25:21,833 BUT I STILL DON'T-- 1096 00:25:21,833 --> 00:25:23,333 IT'S GONNA BE OKAY. 1097 00:25:23,333 --> 00:25:25,833 I DON'T KNOW. I'M DONE. 1098 00:25:25,833 --> 00:25:27,400 I'M DONE WITH IT, MAN. 1099 00:25:27,400 --> 00:25:28,133 I'M DONE WITH IT. 1100 00:25:28,133 --> 00:25:31,067 IT'S GONNA BE OKAY. 1101 00:25:31,067 --> 00:25:32,700 NO, BUT LOOK... 1102 00:25:32,700 --> 00:25:33,367 EXCUSE ME, MOM. 1103 00:25:33,367 --> 00:25:34,233 I'M GONNA WALK OFF. 1104 00:25:34,233 --> 00:25:35,500 I'M GONNA LEAVE YOU TWO ALONE. 1105 00:25:35,500 --> 00:25:36,633 YOU CAN TALK TO ME. 1106 00:25:36,633 --> 00:25:37,433 YOU KNOW WHAT I'M SAYING? 1107 00:25:37,433 --> 00:25:38,700 WE'RE HAVING A--I THINK 1108 00:25:38,700 --> 00:25:41,300 THIS IS A POSITIVE CONVERSATION. 1109 00:25:41,300 --> 00:25:42,967 I HOPE YOU'LL ACCEPT MY APOLOGY, 1110 00:25:42,967 --> 00:25:45,100 'CAUSE I SWEAR TO GOD, LIKE, 1111 00:25:45,100 --> 00:25:46,867 MY DECISIONS ARE MY DECISIONS. 1112 00:25:46,867 --> 00:25:48,067 THE OUTCOME SOMETIME 1113 00:25:48,067 --> 00:25:49,400 DON'T BE MY INTENTIONS. 1114 00:25:49,400 --> 00:25:50,533 I MEAN WELL. 1115 00:25:50,533 --> 00:25:51,200 YOU KNOW, 1116 00:25:51,200 --> 00:25:52,400 IT KIND OF HARD TO BE FRIENDS 1117 00:25:52,400 --> 00:25:53,667 WITH SOMEBODY THAT'S BEAUTIFUL, 1118 00:25:53,667 --> 00:25:54,533 YOU KNOW WHAT I'M SAYING? 1119 00:25:54,533 --> 00:25:57,567 LIKE, THAT IS SMART AND, 1120 00:25:57,567 --> 00:25:58,967 YOU KNOW, GOT ALL THE QUALITIES. 1121 00:25:58,967 --> 00:25:59,800 YOU KNOW WHAT I'M SAYING? 1122 00:25:59,800 --> 00:26:00,867 SOMETIMES IT'S KIND OF HARD 1123 00:26:00,867 --> 00:26:01,533 TO BE FRIENDS 1124 00:26:01,533 --> 00:26:03,333 AND NOT CROSS THAT LINE. 1125 00:26:03,333 --> 00:26:04,367 SOME OF THE DECISIONS 1126 00:26:04,367 --> 00:26:05,200 YOU MAKE, 1127 00:26:05,200 --> 00:26:06,867 THEY AFFECT MORE THAN JUST YOU, 1128 00:26:06,867 --> 00:26:08,767 SCRAPPY. 1129 00:26:08,767 --> 00:26:11,267 THEY AFFECT EVERYBODY. 1130 00:26:11,267 --> 00:26:12,333 I AIN'T ALWAYS LEARN 1131 00:26:12,333 --> 00:26:13,900 HOW TO HANDLE MY STRESS 1132 00:26:13,900 --> 00:26:15,267 IN THE WAY THAT I SHOULD. 1133 00:26:15,267 --> 00:26:15,967 THAT'S SOMETHING 1134 00:26:15,967 --> 00:26:17,233 I WAS LEARNING IN REHAB. 1135 00:26:17,233 --> 00:26:18,167 AND GOD DAMN IT, 1136 00:26:18,167 --> 00:26:19,300 I'M STILL DOING IT NOW. 1137 00:26:19,300 --> 00:26:21,100 I KNOW I DID ERICA P. WRONG. 1138 00:26:21,100 --> 00:26:21,900 I DON'T LIKE IT. 1139 00:26:21,900 --> 00:26:22,800 AS A MAN, 1140 00:26:22,800 --> 00:26:24,200 I COULD'VE PUT IT TO THE SIDE. 1141 00:26:24,200 --> 00:26:25,567 AND JUST FOR THAT, 1142 00:26:25,567 --> 00:26:26,533 I CAN ADMIT IT. 1143 00:26:26,533 --> 00:26:27,267 I KNOW YOU'RE NOT 1144 00:26:27,267 --> 00:26:28,667 A BAD PERSON. 1145 00:26:28,667 --> 00:26:29,733 LIKE I SAID, I TAKE FULL 1146 00:26:29,733 --> 00:26:31,400 RESPONSIBILITY FOR MY PART. 1147 00:26:31,400 --> 00:26:32,067 I'M PROUD OF YOU 1148 00:26:32,067 --> 00:26:33,167 FOR SAYING THAT. 1149 00:26:33,167 --> 00:26:34,800 IT WAS VERY SHOCKING 1150 00:26:34,800 --> 00:26:36,100 FOR ME TO HEAR SCRAPPY 1151 00:26:36,100 --> 00:26:37,400 SAY HE WAS SORRY. 1152 00:26:37,400 --> 00:26:39,633 BUT IT'S THE VERY FIRST STEP. 1153 00:26:39,633 --> 00:26:41,300 AND I DON'T KNOW WHAT'S 1154 00:26:41,300 --> 00:26:42,700 IN THE FUTURE FOR SCRAPPY AND I, 1155 00:26:42,700 --> 00:26:45,167 BUT AT LEAST HE APOLOGIZED. 1156 00:26:45,167 --> 00:26:46,233 CAN I TELL YOU SOMETHING? 1157 00:26:46,233 --> 00:26:47,067 YEAH. 1158 00:26:47,067 --> 00:26:48,400 ALL WE HAVE CONTROL OVER 1159 00:26:48,400 --> 00:26:49,800 IS OUR OWN ACTIONS. 1160 00:26:49,800 --> 00:26:51,667 EVERY ACTION HAS A REACTION. 1161 00:26:51,667 --> 00:26:54,300 THE ONLY THING I WANT TO DO 1162 00:26:54,300 --> 00:26:56,300 IS BE A FRIEND. 1163 00:26:56,300 --> 00:26:57,433 AND THE ONLY REACTION 1164 00:26:57,433 --> 00:26:58,400 I SHOULD BE GETTING 1165 00:26:58,400 --> 00:27:01,067 IS A LOYAL FRIEND IN RETURN. 1166 00:27:03,233 --> 00:27:06,233 [acoustic guitar music] 1167 00:27:06,233 --> 00:27:12,433 ♪ 1168 00:27:12,433 --> 00:27:13,133 YOU KNOW WHAT? 1169 00:27:13,133 --> 00:27:14,067 I'M ABOUT TO LEAVE THIS [bleep] 1170 00:27:14,067 --> 00:27:14,667 HOUSE. 1171 00:27:14,667 --> 00:27:15,500 I'M ABOUT TO GO SEE MY HOMEGIRL 1172 00:27:15,500 --> 00:27:16,167 K.MICHELLE. 1173 00:27:16,167 --> 00:27:16,833 [bleep] STEVIE AND HIS 1174 00:27:16,833 --> 00:27:17,667 SHENANIGANS. 1175 00:27:17,667 --> 00:27:18,333 YOU KNOW WHAT? 1176 00:27:18,333 --> 00:27:19,200 HIM AND HIS BEST FRIEND SHARING 1177 00:27:19,200 --> 00:27:19,867 COOTIE CATS AND HIS 1178 00:27:19,867 --> 00:27:20,833 [bleep] BABY MAMA DRAMA, 1179 00:27:20,833 --> 00:27:21,767 I'M DONE WITH THAT. 1180 00:27:21,767 --> 00:27:22,433 I CAN'T TAKE IT. 1181 00:27:22,433 --> 00:27:23,100 HE DON'T DESERVE 1182 00:27:23,100 --> 00:27:23,900 THE PUERTO RICAN PRINCESS 1183 00:27:23,900 --> 00:27:25,167 TO BE NOWHERE AROUND HIM. 1184 00:27:25,167 --> 00:27:26,733 YO. [bleep]. 1185 00:27:26,733 --> 00:27:27,900 WHERE YOU GOING, KID? 1186 00:27:27,900 --> 00:27:29,700 I'M OUT OF HERE, STEVIE. 1187 00:27:29,700 --> 00:27:32,333 YO, WHAT'S UP WITH YOU? 1188 00:27:32,333 --> 00:27:33,067 I'M OUT OF HERE. 1189 00:27:33,067 --> 00:27:33,900 WHERE YOU GOING? 1190 00:27:33,900 --> 00:27:34,567 MM-MM. 1191 00:27:34,567 --> 00:27:35,233 YO, WHERE YOU GOING? 1192 00:27:35,233 --> 00:27:35,900 MM-MM. 1193 00:27:35,900 --> 00:27:37,133 WATCH OUT. WHAT'S UP? 1194 00:27:37,133 --> 00:27:38,300 UH-UH? WHAT YOU MEAN, UH-UH? 1195 00:27:38,300 --> 00:27:38,967 LET GO OF MY BAG. 1196 00:27:38,967 --> 00:27:39,833 LET GO OF YOUR BAG? 1197 00:27:39,833 --> 00:27:40,567 WHERE YOU THINK YOU GOING? 1198 00:27:40,567 --> 00:27:41,467 WHAT'S GOING ON? WHAT'S UP? 1199 00:27:41,467 --> 00:27:42,133 WHAT YOU MEAN, 1200 00:27:42,133 --> 00:27:42,800 WHAT'S GOING ON? 1201 00:27:42,800 --> 00:27:43,467 I'M LEAVING. 1202 00:27:43,467 --> 00:27:44,333 YOU GOT--YOU'RE DRAGGING A 1203 00:27:44,333 --> 00:27:45,100 BAG THROUGH MAKING ALL TYPE 1204 00:27:45,100 --> 00:27:45,767 OF NOISE. 1205 00:27:45,767 --> 00:27:46,567 I'M IN THE STUDIO, TRYING 1206 00:27:46,567 --> 00:27:47,733 TO GET BUSY MAKING YOU A HIT. 1207 00:27:47,733 --> 00:27:48,400 OH, PLEASE. 1208 00:27:48,400 --> 00:27:49,267 YOU'RE NEVER MAKING ME A HIT. 1209 00:27:49,267 --> 00:27:49,933 YOU'RE MAKING SOMEBODY 1210 00:27:49,933 --> 00:27:50,600 ELSE HITS. 1211 00:27:50,600 --> 00:27:51,267 I'M READY TO GO. 1212 00:27:51,267 --> 00:27:52,133 I CAN'T BE HERE. 1213 00:27:52,133 --> 00:27:54,333 STEVIE, I NEED A BREAK. 1214 00:27:54,333 --> 00:27:55,133 YOU NEED A BREAK FROM WHAT? 1215 00:27:55,133 --> 00:27:55,933 I NEED A BREAK FROM 1216 00:27:55,933 --> 00:27:57,467 EVERYTHING THAT'S BEEN GOING ON. 1217 00:27:57,467 --> 00:27:58,333 I KNOW YOU'RE NOT TALKING 1218 00:27:58,333 --> 00:27:59,267 ABOUT THAT ALTHEA STUFF. 1219 00:27:59,267 --> 00:28:00,067 YES, I'M TALKING ABOUT 1220 00:28:00,067 --> 00:28:00,700 THAT SITUATION. 1221 00:28:00,700 --> 00:28:01,367 WHAT? 1222 00:28:01,367 --> 00:28:02,233 AND NOT JUST THAT. 1223 00:28:02,233 --> 00:28:02,900 I'M TALKING ABOUT 1224 00:28:02,900 --> 00:28:03,767 EVERY OTHER SITUATION 1225 00:28:03,767 --> 00:28:04,600 THAT WE EVER GO THROUGH. 1226 00:28:04,600 --> 00:28:05,633 IT'S JUST TOO MUCH. 1227 00:28:05,633 --> 00:28:08,233 SO YOU PACKING YOUR BAGS? 1228 00:28:08,233 --> 00:28:09,200 YOU THINK YOU GOING SOMEWHERE? 1229 00:28:09,200 --> 00:28:10,533 LET ME TELL YOU FOR THE 50TH 1230 00:28:10,533 --> 00:28:12,733 TIME, I DID NOT SMASH ALTHEA. 1231 00:28:12,733 --> 00:28:14,233 I DIDN'T SMASH THE HOMEY. 1232 00:28:14,233 --> 00:28:16,800 I NEVER HAD SEX WITH HER. 1233 00:28:16,800 --> 00:28:17,767 I DON'T BELIEVE YOU. 1234 00:28:17,767 --> 00:28:18,567 I DIDN'T. 1235 00:28:18,567 --> 00:28:19,533 I KNOW FOR A FACT 1236 00:28:19,533 --> 00:28:20,667 THAT YOU HAD SEX WITH THAT GIRL. 1237 00:28:20,667 --> 00:28:21,500 LISTEN, BABY, 1238 00:28:21,500 --> 00:28:22,433 CAN YOU JUST TRUST ME? 1239 00:28:22,433 --> 00:28:24,233 I DON'T BELIEVE YOU. 1240 00:28:24,233 --> 00:28:24,900 CAN I JUST TELL YOU 1241 00:28:24,900 --> 00:28:25,567 SOMETHING? 1242 00:28:25,567 --> 00:28:26,233 YOU KNOW WHAT? 1243 00:28:26,233 --> 00:28:27,067 I'M STARTING TO FEEL LIKE YOU 1244 00:28:27,067 --> 00:28:27,733 HATE ME. 1245 00:28:27,733 --> 00:28:28,400 ARE YOU SERIOUS? 1246 00:28:28,400 --> 00:28:29,167 'CAUSE IF YOU DID NOT HATE 1247 00:28:29,167 --> 00:28:30,133 ME, YOU WOULD NOT DO THE THINGS 1248 00:28:30,133 --> 00:28:30,967 THAT YOU DO TO ME. 1249 00:28:30,967 --> 00:28:31,933 YEAH, WE TRIED. 1250 00:28:31,933 --> 00:28:32,733 BUT YOU [bleep] UP A LOT 1251 00:28:32,733 --> 00:28:33,400 OF TIMES. 1252 00:28:33,400 --> 00:28:34,100 AND I NEED A BREAK. 1253 00:28:34,100 --> 00:28:34,767 WHERE YOU GOING? 1254 00:28:34,767 --> 00:28:35,500 I'M GONNA TAKE A BREAK 1255 00:28:35,500 --> 00:28:36,167 FROM THIS. 1256 00:28:36,167 --> 00:28:37,267 YOU ACT LIKE THIS IS SO GREAT. 1257 00:28:37,267 --> 00:28:37,933 THIS IS SO GREAT. 1258 00:28:37,933 --> 00:28:38,833 YES, IT IS. IT'S GREATNESS. 1259 00:28:38,833 --> 00:28:39,767 IT COMES WITH A HEADACHE. 1260 00:28:39,767 --> 00:28:41,233 YOU'RE A HEADACHE. 1261 00:28:41,233 --> 00:28:42,500 AND I'M--I SEE YOU'RE TAKING IT 1262 00:28:42,500 --> 00:28:43,167 FOR A JOKE. 1263 00:28:43,167 --> 00:28:43,833 I'M NOT. 1264 00:28:43,833 --> 00:28:44,567 I'M JUST TRYING TO MAKE THE 1265 00:28:44,567 --> 00:28:45,700 LIGHT OF THE SITUATION, BABY. 1266 00:28:45,700 --> 00:28:47,067 HOLD ON, BABY. 1267 00:28:47,067 --> 00:28:47,833 LET ME HELP YOU OUT-- 1268 00:28:47,833 --> 00:28:48,767 YOU'RE TAKING IT FOR A JOKE. 1269 00:28:48,767 --> 00:28:49,567 AT LEAST LET ME HELP YOU 1270 00:28:49,567 --> 00:28:50,700 WITH THE BAG, MA. 1271 00:28:50,700 --> 00:28:52,467 YOU'RE TAKING IT FOR A JOKE. 1272 00:28:52,467 --> 00:28:54,633 WILL YOU--ARE YOU SERIOUS? 1273 00:28:54,633 --> 00:28:55,300 YOU GOT TO DEAL 1274 00:28:55,300 --> 00:28:56,200 WITH YOUR BABY MAMA 1275 00:28:56,200 --> 00:28:57,667 THAT'S 45 DOING A PORN TAPE. 1276 00:28:57,667 --> 00:28:59,100 AND NOW YOU GOT TO DEAL WITH ME, 1277 00:28:59,100 --> 00:28:59,800 'CAUSE YOU DON'T HAVE 1278 00:28:59,800 --> 00:29:00,933 A HAPPY WIFE, 1279 00:29:00,933 --> 00:29:01,633 BECAUSE YOU'RE [bleep] 1280 00:29:01,633 --> 00:29:02,533 AROUND TOO MANY BITCHES. 1281 00:29:02,533 --> 00:29:03,233 I DIDN'T [bleep] HER. 1282 00:29:03,233 --> 00:29:03,900 AND YOU KNOW 1283 00:29:03,900 --> 00:29:04,567 WHAT YOU NEED TO DO? 1284 00:29:04,567 --> 00:29:05,233 I NEVER [bleep] HER. 1285 00:29:05,233 --> 00:29:06,067 YOU KNOW WHAT YOU NEED TO DO? 1286 00:29:06,067 --> 00:29:06,867 STOP DOING THINGS 1287 00:29:06,867 --> 00:29:08,067 BECAUSE OF YOUR BRAIN. 1288 00:29:08,067 --> 00:29:08,933 'CAUSE WHEN YOU SIT IN THAT BED 1289 00:29:08,933 --> 00:29:10,767 AND YOU CRY, "OH, I LOVE YOU," 1290 00:29:10,767 --> 00:29:11,633 YOU THROW THAT OUT THE WINDOW 1291 00:29:11,633 --> 00:29:12,533 WHEN YOU'RE [bleep] BITCHES. 1292 00:29:12,533 --> 00:29:13,200 ME? 1293 00:29:13,200 --> 00:29:13,867 YES, YOU. 1294 00:29:13,867 --> 00:29:16,067 I LOVE YOU. LISTEN. 1295 00:29:16,067 --> 00:29:17,433 I DON'T WANT NO PROBLEMS. 1296 00:29:17,433 --> 00:29:18,467 I DON'T WANT YOU TO GO NOWHERE. 1297 00:29:18,467 --> 00:29:19,233 HOLD ON. 1298 00:29:19,233 --> 00:29:20,433 I'M GOING OUT OF TOWN. 1299 00:29:20,433 --> 00:29:22,200 AND THAT'S WHAT I'M GONNA DO. 1300 00:29:22,200 --> 00:29:23,233 YOU KNOW I KNOW I CAN FIND 1301 00:29:23,233 --> 00:29:24,433 YOU WHEREVER YOU AT, RIGHT? 1302 00:29:24,433 --> 00:29:25,300 THAT'S GOING IN THE GARBAGE. 1303 00:29:25,300 --> 00:29:25,967 WHAT YOU DOING? 1304 00:29:25,967 --> 00:29:26,633 YOU KNOW WHAT? 1305 00:29:26,633 --> 00:29:27,300 AS A MATTER OF FACT, 1306 00:29:27,300 --> 00:29:27,967 [bleep] YOU. 1307 00:29:27,967 --> 00:29:28,633 WHAT YOU MEAN? 1308 00:29:28,633 --> 00:29:29,400 YOU KNOW WHAT, THIS RIGHT 1309 00:29:29,400 --> 00:29:30,467 HERE, RIGHT HERE IS BULL[bleep]. 1310 00:29:30,467 --> 00:29:31,833 THIS IS BULL[bleep]. 1311 00:29:31,833 --> 00:29:33,067 WE'RE BULL[bleep]. 1312 00:29:33,067 --> 00:29:34,833 STEVIE THINKS THAT THIS HOUSE, 1313 00:29:34,833 --> 00:29:36,800 THIS CAREER IS ALL FROM HIM, 1314 00:29:36,800 --> 00:29:39,500 AND IF I LEAVE HIM, I'M NOTHING. 1315 00:29:39,500 --> 00:29:40,900 NO, NEGRO, IF I LEAVE YOU, 1316 00:29:40,900 --> 00:29:41,767 YOU'RE NOTHING. 1317 00:29:41,767 --> 00:29:43,067 WHERE YOU GOING? 1318 00:29:43,067 --> 00:29:44,633 COME HERE. 1319 00:29:44,633 --> 00:29:45,300 [bleep] YOU. 1320 00:29:45,300 --> 00:29:47,233 YO...LITTERING 1321 00:29:47,233 --> 00:29:49,467 IN THE NEIGHBORHOOD AND [bleep]. 1322 00:29:49,467 --> 00:29:50,133 THESE PEOPLE 1323 00:29:50,133 --> 00:29:52,433 DON'T LIKE THAT OUT HERE. 1324 00:29:52,433 --> 00:29:53,500 OH, MY GOD. 1325 00:29:53,500 --> 00:29:54,633 WHY IS SHE HANGING? 1326 00:29:54,633 --> 00:29:55,367 I AIN'T SEEN NOBODY 1327 00:29:55,367 --> 00:29:56,833 HANG LIKE THAT SINCE ELEMENTARY 1328 00:29:56,833 --> 00:29:57,833 SCHOOL AT RECESS. 1329 00:29:57,833 --> 00:29:59,833 EWW. 1330 00:30:02,900 --> 00:30:03,900 [funky music] 1331 00:30:03,900 --> 00:30:10,667 ♪ 1332 00:30:10,667 --> 00:30:11,967 I'M HERE IN NEW YORK. 1333 00:30:11,967 --> 00:30:12,667 I'M HAPPY. 1334 00:30:12,667 --> 00:30:14,067 I'M HAVING THE TIME OF MY LIFE. 1335 00:30:14,067 --> 00:30:14,733 AIN'T NO STEVIE 1336 00:30:14,733 --> 00:30:15,700 NOWHERE NEAR AROUND. 1337 00:30:15,700 --> 00:30:16,967 OF COURSE I WENT SHOPPING. 1338 00:30:16,967 --> 00:30:17,867 I DID A BUNCH OF THINGS. 1339 00:30:17,867 --> 00:30:19,267 I HAVE TO SIT MY ASS DOWN, 1340 00:30:19,267 --> 00:30:20,167 WATCH THIS MOTHER[bleep] 1341 00:30:20,167 --> 00:30:22,533 PORN TAPE OF OUR "HOMEGIRL." 1342 00:30:22,533 --> 00:30:23,767 THAT'S SOME REAL LOW-DOWN, 1343 00:30:23,767 --> 00:30:24,533 DIRTY [bleep]. 1344 00:30:24,533 --> 00:30:26,300 I HAVEN'T SEEN K.MICHELLE YET. 1345 00:30:26,300 --> 00:30:27,433 BUT SHE HOOKED ME UP 1346 00:30:27,433 --> 00:30:29,133 WITH A PRODUCER AND A NEW STUDIO 1347 00:30:29,133 --> 00:30:29,933 THAT I CAN WORK WHEN 1348 00:30:29,933 --> 00:30:30,800 I COME TO NEW YORK. 1349 00:30:30,800 --> 00:30:31,633 YOU KNOW, STEVIE THINK I 1350 00:30:31,633 --> 00:30:32,767 CAN'T DO MUSIC WITHOUT HIM. 1351 00:30:32,767 --> 00:30:34,000 HA, HOW YOU LIKE ME NOW? 1352 00:30:34,000 --> 00:30:37,233 ♪ THE PUERTO RICAN PRINCESS 1353 00:30:37,233 --> 00:30:38,267 OH, HEY, HEY. 1354 00:30:38,267 --> 00:30:40,400 HEY. 1355 00:30:40,400 --> 00:30:42,400 LOOK AT YOU. 1356 00:30:42,400 --> 00:30:44,200 OH. 1357 00:30:44,200 --> 00:30:45,767 HEY. 1358 00:30:45,767 --> 00:30:47,467 YOU LOOK BEAUTIFUL. 1359 00:30:47,467 --> 00:30:48,400 GIRL, WHOO. 1360 00:30:48,400 --> 00:30:49,100 I'M TRYING TO GET LIKE 1361 00:30:49,100 --> 00:30:50,033 THE PUERTO RICAN PRINCESS. 1362 00:30:50,033 --> 00:30:50,800 I WISH YOU WOULD JUST SIT 1363 00:30:50,800 --> 00:30:53,733 ON--I MISS YOU SO MUCH. 1364 00:30:53,733 --> 00:30:54,400 YOU LOOK BEAUTIFUL. 1365 00:30:54,400 --> 00:30:55,800 I MISS YOU TOO. 1366 00:30:55,800 --> 00:30:56,567 THIS IS PRETTY. 1367 00:30:56,567 --> 00:30:57,233 THANK YOU. 1368 00:30:57,233 --> 00:30:58,467 YOU'RE EVERYWHERE, BITCH. 1369 00:30:58,467 --> 00:31:00,100 YOU WAS, LIKE, 1370 00:31:00,100 --> 00:31:01,533 THE ONLY ONE, YOU KNOW, 1371 00:31:01,533 --> 00:31:02,333 OUT OF ATLANTA 1372 00:31:02,333 --> 00:31:03,600 TO CALL ME AND BE LIKE, 1373 00:31:03,600 --> 00:31:04,767 "CONGRATULATIONS 1374 00:31:04,767 --> 00:31:05,533 FOR EVERYTHING." 1375 00:31:05,533 --> 00:31:07,067 I REMEMBER [bleep] LIKE THAT. 1376 00:31:07,067 --> 00:31:08,167 I'M FOLLOW YOU ON INSTAGRAM. 1377 00:31:08,167 --> 00:31:09,200 I'M SEEING YOUR EVERY MOVE. 1378 00:31:09,200 --> 00:31:09,867 NO, BUT I'VE BEEN 1379 00:31:09,867 --> 00:31:10,700 LOOKING AT YOU TOO. 1380 00:31:10,700 --> 00:31:11,500 I'M LIKE, "THIS BITCH 1381 00:31:11,500 --> 00:31:12,467 IS GETTING IT," BUT I'M SO-- 1382 00:31:12,467 --> 00:31:14,100 CONGRATULATIONS. 1383 00:31:14,100 --> 00:31:15,100 REMEMBER WE TALKED ABOUT IT, 1384 00:31:15,100 --> 00:31:16,067 AND YOU GOT IT DONE. 1385 00:31:16,067 --> 00:31:16,700 YOU'RE TALKING 1386 00:31:16,700 --> 00:31:17,800 ABOUT THE MARRIAGE, RIGHT? 1387 00:31:17,800 --> 00:31:18,467 YES. 1388 00:31:18,467 --> 00:31:20,133 GIRL, I LOVE MY HUSBAND.... 1389 00:31:20,133 --> 00:31:21,100 LIVING IN A MANSION. 1390 00:31:21,100 --> 00:31:21,767 BUT HE CAN BE 1391 00:31:21,767 --> 00:31:22,933 A [bleep] PIECE OF WORK. 1392 00:31:22,933 --> 00:31:23,633 GIRL, HE BE WITH 1393 00:31:23,633 --> 00:31:25,267 THE BULL[bleep], GIRL, FACETIME. 1394 00:31:25,267 --> 00:31:26,333 I'VE SEEN PICTURES. 1395 00:31:26,333 --> 00:31:28,067 OH, AND NOT TO MENTION, I HAVE-- 1396 00:31:28,067 --> 00:31:28,867 GIRL, IT'S SO MUCH 1397 00:31:28,867 --> 00:31:29,967 THAT YOU DON'T KNOW. 1398 00:31:29,967 --> 00:31:30,733 YOU KNOW BENZINO 1399 00:31:30,733 --> 00:31:32,833 IS ABOUT TO GET MARRIED, RIGHT? 1400 00:31:32,833 --> 00:31:33,600 KARLIE GETTING MARRIED? 1401 00:31:33,600 --> 00:31:34,267 HELL, NO. 1402 00:31:34,267 --> 00:31:35,367 GIRL, HE'S ABOUT TO GET MARRIED 1403 00:31:35,367 --> 00:31:36,233 TO ANOTHER RATCHET HO 1404 00:31:36,233 --> 00:31:37,633 THAT I KNOW FOR A FACT 1405 00:31:37,633 --> 00:31:39,100 THAT MY HUSBAND [bleep] HER. 1406 00:31:39,100 --> 00:31:39,967 YOU'RE LYING. 1407 00:31:39,967 --> 00:31:40,767 BITCH, I WISH I WAS [bleep] 1408 00:31:40,767 --> 00:31:41,433 LYING. 1409 00:31:41,433 --> 00:31:42,467 I CANNOT BELIEVE THIS. 1410 00:31:42,467 --> 00:31:44,133 WRINKLE NECK DONE GOT SHOT. 1411 00:31:44,133 --> 00:31:45,400 HE'S FINNA GET MARRIED. 1412 00:31:45,400 --> 00:31:46,233 AND HIS BITCH FINNA GET 1413 00:31:46,233 --> 00:31:47,233 HER ASS WHUPPED. 1414 00:31:47,233 --> 00:31:48,667 THIS HOTHEA SAT IN MY HOUSE. 1415 00:31:48,667 --> 00:31:49,733 SHE ACCEPTED MY FOOD. 1416 00:31:49,733 --> 00:31:50,933 SHE ATE MY [bleep]. 1417 00:31:50,933 --> 00:31:52,333 AND IT'S GOING AROUND TOWN 1418 00:31:52,333 --> 00:31:53,500 THAT YOU AND MY [bleep]. 1419 00:31:53,500 --> 00:31:55,067 HE LOVES THEM GRIMY-ASS HOS. 1420 00:31:55,067 --> 00:31:56,233 I MEAN, LOOK AT THIS PORN STAR 1421 00:31:56,233 --> 00:31:57,233 BABY MAMA BITCH. 1422 00:31:57,233 --> 00:31:58,433 THIS IS THE SLUTTY TALK 1423 00:31:58,433 --> 00:31:59,333 OF THE TOWN. 1424 00:31:59,333 --> 00:32:00,567 IT'S MORE PROBLEMS. 1425 00:32:00,567 --> 00:32:01,833 THE MIMI SITUATION. 1426 00:32:01,833 --> 00:32:03,833 SHE MOVED DOWN TO LITTLE BOY 1427 00:32:03,833 --> 00:32:04,667 WITH THE BIG EYES. 1428 00:32:04,667 --> 00:32:06,600 THE ONE WITH THE BOYFRIEND. 1429 00:32:06,600 --> 00:32:08,067 YES, THE BITCH GOT A SEX TAPE 1430 00:32:08,067 --> 00:32:08,700 WITH HIM. 1431 00:32:08,700 --> 00:32:09,367 HAVE YOU SEEN THIS TAPE? 1432 00:32:09,367 --> 00:32:10,233 I HEARD ABOUT THE TAPE, 1433 00:32:10,233 --> 00:32:11,533 BUT I DIDN'T THINK IT WAS TRUE. 1434 00:32:11,533 --> 00:32:12,367 HER LONG TITTIES 1435 00:32:12,367 --> 00:32:13,300 IS DOWN TO HERE. 1436 00:32:13,300 --> 00:32:14,233 GRANNY BOY. 1437 00:32:14,233 --> 00:32:15,233 YOU KNOW YOU CAN EXAGGERATE. 1438 00:32:15,233 --> 00:32:16,567 OH, NO, NO, NO. 1439 00:32:16,567 --> 00:32:17,767 OKAY, LET'S--OKAY, OKAY, 1440 00:32:17,767 --> 00:32:18,433 I'LL WATCH. 1441 00:32:18,433 --> 00:32:19,667 THIS HO MADE MY LIFE A LIVING 1442 00:32:19,667 --> 00:32:21,433 HELL FOR TWO--A YEAR STRAIGHT. 1443 00:32:21,433 --> 00:32:22,100 OH, BUT YOU KNOW WHAT 1444 00:32:22,100 --> 00:32:23,400 SHE DID TO ME. 1445 00:32:23,400 --> 00:32:24,800 YOU KNOW, I TRIED TO TELL HER, 1446 00:32:24,800 --> 00:32:26,067 "THIS IS NOT THE MAN." 1447 00:32:26,067 --> 00:32:27,333 FOR HER TO TURN ON ME AND SAY, 1448 00:32:27,333 --> 00:32:28,167 "I'M NOT [bleep] YOU. 1449 00:32:28,167 --> 00:32:28,967 I'M NOT YOUR FRIEND," 1450 00:32:28,967 --> 00:32:29,933 THAT HURT ME. 1451 00:32:29,933 --> 00:32:30,600 WATCH THIS HO. 1452 00:32:30,600 --> 00:32:31,267 YOU DON'T GOT IT 1453 00:32:31,267 --> 00:32:32,067 ON THE BIG-SCREEN, BITCH. 1454 00:32:32,067 --> 00:32:34,167 JUST GET PREPARED. 1455 00:32:34,167 --> 00:32:36,567 OOH. 1456 00:32:36,567 --> 00:32:38,233 BITCH, THAT'S A REAL PORN. 1457 00:32:38,233 --> 00:32:39,500 YEAH, OOH. 1458 00:32:39,500 --> 00:32:41,700 both: OH. 1459 00:32:41,700 --> 00:32:43,067 OH, MY GOD, 1460 00:32:43,067 --> 00:32:44,700 WHY IS SHE HANGING? 1461 00:32:44,700 --> 00:32:45,400 OH, MY GOD. 1462 00:32:45,400 --> 00:32:46,067 I AIN'T SEEN NOBODY 1463 00:32:46,067 --> 00:32:46,900 HANG LIKE THAT SINCE 1464 00:32:46,900 --> 00:32:48,433 ELEMENTARY SCHOOL AT RECESS. 1465 00:32:48,433 --> 00:32:49,900 EWW. 1466 00:32:49,900 --> 00:32:50,933 JOSELINE. 1467 00:32:50,933 --> 00:32:52,200 WHAT? YOU SEE THAT HO. 1468 00:32:52,200 --> 00:32:53,100 THAT'S YOUR FRIEND. 1469 00:32:53,100 --> 00:32:54,800 THIS IS A PRODUCTION. 1470 00:32:54,800 --> 00:32:55,733 THEY SET IT ALL UP. 1471 00:32:55,733 --> 00:32:56,767 'CAUSE YOU KNOW SHE WAS CLAIMING 1472 00:32:56,767 --> 00:32:57,533 THAT HE LOST THE TAPE. 1473 00:32:57,533 --> 00:32:58,200 THE BITCH DIDN'T EVEN 1474 00:32:58,200 --> 00:32:58,867 LOSE THE TAPE. 1475 00:32:58,867 --> 00:33:00,100 SHE SOLD THE VIDEO. 1476 00:33:00,100 --> 00:33:00,833 WHY WOULD SHE WANT 1477 00:33:00,833 --> 00:33:01,567 TO [bleep] HIM? 1478 00:33:01,567 --> 00:33:02,300 THAT'S HER MAN, BITCH. 1479 00:33:02,300 --> 00:33:03,167 WHY SHE DIDN'T GET SOMEBODY 1480 00:33:03,167 --> 00:33:03,933 LIKE JUSTIN BIEBER 1481 00:33:03,933 --> 00:33:05,067 OR SOMEBODY MORE TALENTED? 1482 00:33:05,067 --> 00:33:05,700 JUSTIN BIEBER 1483 00:33:05,700 --> 00:33:07,100 DON'T WANT THAT LONG TITTY. 1484 00:33:07,100 --> 00:33:08,300 HER NEW NAME IS MEATMOUTH. 1485 00:33:08,300 --> 00:33:09,167 OOH! 1486 00:33:09,167 --> 00:33:10,267 SHE AIN'T EVEN GET A WAX. 1487 00:33:10,267 --> 00:33:10,967 THIS IS GROSS. 1488 00:33:10,967 --> 00:33:11,667 LOOK. EWW. 1489 00:33:11,667 --> 00:33:12,933 AND THEY KISSED AFTER THAT. 1490 00:33:12,933 --> 00:33:14,367 OH. 1491 00:33:14,367 --> 00:33:15,300 LOOK. 1492 00:33:15,300 --> 00:33:16,967 I TOLD HER ABOUT THAT MAN. 1493 00:33:16,967 --> 00:33:17,900 BUT SHE DID NOT WANT 1494 00:33:17,900 --> 00:33:18,933 TO LISTEN TO ME. 1495 00:33:18,933 --> 00:33:20,067 I WAS HER FRIEND 1496 00:33:20,067 --> 00:33:20,867 OUT OF ALL OF THAT. 1497 00:33:20,867 --> 00:33:21,700 AND NOW--AND LOOK 1498 00:33:21,700 --> 00:33:22,833 AT WHAT HAPPENED TO HER. 1499 00:33:22,833 --> 00:33:23,633 YOU SOLD YOUR SOUL 1500 00:33:23,633 --> 00:33:24,600 TO THE DEVIL. 1501 00:33:24,600 --> 00:33:25,333 BUT THAT'S ALL I'MA SAY 1502 00:33:25,333 --> 00:33:26,067 ABOUT THAT. 1503 00:33:26,067 --> 00:33:27,867 I'MA LET GOD DEAL WITH THAT HO. 1504 00:33:27,867 --> 00:33:29,600 I NEED YOU TO HEAR THIS SONG. 1505 00:33:29,600 --> 00:33:30,933 ANGRY BIN. 1506 00:33:30,933 --> 00:33:31,867 * YEAH 1507 00:33:31,867 --> 00:33:32,967 I'M GONNA GET MONEY. 1508 00:33:32,967 --> 00:33:34,800 BOUNCE, BOUNCE, BOUNCE, 1509 00:33:34,800 --> 00:33:35,633 BOUNCE. 1510 00:33:35,633 --> 00:33:36,833 ♪ I BEEN GETTIN' MONEY ♪ 1511 00:33:36,833 --> 00:33:37,533 * YEAH, YEAH 1512 00:33:37,533 --> 00:33:38,700 * I BEEN GETTIN' MONEY ♪ 1513 00:33:38,700 --> 00:33:42,733 HEY, HEY, HEY, HEY, HEY, HEY. 1514 00:33:42,733 --> 00:33:45,200 * I BEEN GETTIN' MONEY ♪ 1515 00:33:48,667 --> 00:33:50,067 I KNEW I COULDN'T WATCH THIS 1516 00:33:50,067 --> 00:33:51,900 [bleep] BY MYSELF. 1517 00:33:51,900 --> 00:33:52,567 I WAITED. 1518 00:33:52,567 --> 00:33:53,667 I CAN'T BELIEVE 1519 00:33:53,667 --> 00:33:54,400 IT'S ACTUALLY OUT. 1520 00:33:54,400 --> 00:33:56,567 LIKE, IT'S LIKE IT'S FOR REAL. 1521 00:33:56,567 --> 00:33:57,600 SO MIMI'S SEX TAPE 1522 00:33:57,600 --> 00:33:58,300 CAME OUT TODAY. 1523 00:33:58,300 --> 00:33:59,667 AND I DECIDED TO GO TO ERICA'S, 1524 00:33:59,667 --> 00:34:01,600 SO WE CAN WATCH TOGETHER. 1525 00:34:01,600 --> 00:34:02,567 IT'S GONNA BE REALLY HARD TO 1526 00:34:02,567 --> 00:34:03,900 WATCH THIS. 1527 00:34:03,900 --> 00:34:05,067 BUT MY FRIEND IS MAKING 1528 00:34:05,067 --> 00:34:07,133 NATIONAL NEWS. 1529 00:34:07,133 --> 00:34:07,833 I REALLY NEEDED TO SEE 1530 00:34:07,833 --> 00:34:09,833 HOW FAR MIMI'S WILLING TO GO. 1531 00:34:15,600 --> 00:34:18,900 OH, WOW. OH, WOW. 1532 00:34:18,900 --> 00:34:19,933 OH, WOW. 1533 00:34:19,933 --> 00:34:20,900 NO. 1534 00:34:20,900 --> 00:34:28,267 OH, WOW. 1535 00:34:33,633 --> 00:34:37,200 OH, MY GOD. 1536 00:34:37,200 --> 00:34:41,067 I CAN'T. 1537 00:34:41,067 --> 00:34:42,667 DID YOU SEE THIS [bleep]? 1538 00:34:42,667 --> 00:34:43,633 THIS IS NOT SOMETHING 1539 00:34:43,633 --> 00:34:44,400 THEY [bleep] MADE. 1540 00:34:44,400 --> 00:34:45,400 THIS IS SOME PROFESSIONAL, 1541 00:34:45,400 --> 00:34:46,167 LIKE-- 1542 00:34:46,167 --> 00:34:47,067 AND THIS [bleep] 1543 00:34:47,067 --> 00:34:48,767 IS IN DIFFERENT AREAS. 1544 00:34:48,767 --> 00:34:51,533 WHAT THE [bleep]? 1545 00:34:51,533 --> 00:34:54,133 THIS AIN'T NO HOMEMADE [bleep]. 1546 00:34:54,133 --> 00:34:55,233 ARIANE. 1547 00:34:55,233 --> 00:34:55,900 I-- 1548 00:34:55,900 --> 00:34:57,267 THIS YOUR FRIEND, LIKE, 1549 00:34:57,267 --> 00:34:59,300 WHO YOU LIKE THIS WITH. 1550 00:34:59,300 --> 00:35:02,200 I AM DISGUSTED. 1551 00:35:02,200 --> 00:35:03,367 IT AIN'T EVEN FOR MIMI, 1552 00:35:03,367 --> 00:35:04,900 'CAUSE YOU A GROWN-ASS WOMAN. 1553 00:35:04,900 --> 00:35:05,933 YOU HAD A CHOICE. 1554 00:35:05,933 --> 00:35:06,967 IT'S FOR EVA, 1555 00:35:06,967 --> 00:35:08,633 'CAUSE SHE DIDN'T HAVE ONE. 1556 00:35:08,633 --> 00:35:12,067 NOW THIS [bleep] PISSED ME OFF. 1557 00:35:12,067 --> 00:35:12,733 THAT'S SOME [bleep]-UP, 1558 00:35:12,733 --> 00:35:13,867 SELFISH [bleep] RIGHT THERE. 1559 00:35:13,867 --> 00:35:16,100 I'M TELLING YOU. 1560 00:35:16,100 --> 00:35:18,533 I DON'T CARE HOW MUCH MONEY 1561 00:35:18,533 --> 00:35:19,733 YOU [bleep] GET FOR THIS. 1562 00:35:19,733 --> 00:35:20,867 YOU GOT A CHILD, AND THAT'S 1563 00:35:20,867 --> 00:35:22,067 BECAUSE I GOT EMANI. 1564 00:35:22,067 --> 00:35:23,067 IT'S [bleep] LIKE THIS HURT 1565 00:35:23,067 --> 00:35:24,633 MY HEART. 1566 00:35:24,633 --> 00:35:26,067 I GOT A [bleep] CHILD. 1567 00:35:26,067 --> 00:35:27,600 AND, LIKE, IT'S A LITTLE GIRL 1568 00:35:27,600 --> 00:35:30,833 THAT GOT TO DEAL WITH THIS, 1569 00:35:30,833 --> 00:35:32,067 A LITTLE GIRL. 1570 00:35:32,067 --> 00:35:35,200 THIS HER MAMA. 1571 00:35:35,200 --> 00:35:36,400 I DON'T LIKE [bleep] LIKE THIS. 1572 00:35:36,400 --> 00:35:37,667 NO, I DON'T. 1573 00:35:37,667 --> 00:35:39,800 DON'T CRY. 1574 00:35:39,800 --> 00:35:43,233 I DON'T. 1575 00:35:43,233 --> 00:35:44,267 YOU BETTER TALK TO HER 1576 00:35:44,267 --> 00:35:44,933 BEFORE I DO, 1577 00:35:44,933 --> 00:35:46,133 BECAUSE I'MA HURT HER FEELINGS. 1578 00:35:46,133 --> 00:35:49,667 THAT'S [bleep] UP. 1579 00:35:49,667 --> 00:35:50,500 YOU COULDN'T GIVE ME 1580 00:35:50,500 --> 00:35:51,200 A MILLION DOLLARS 1581 00:35:51,200 --> 00:35:52,067 TO PUT SOME [bleep] OUT THERE 1582 00:35:52,067 --> 00:35:52,700 LIKE THAT. 1583 00:35:52,700 --> 00:35:53,967 I DON'T CARE. 1584 00:35:53,967 --> 00:35:55,200 WHERE'S YOUR [bleep] INTEGRITY? 1585 00:35:55,200 --> 00:35:56,167 WHERE ARE YOUR MORALS? 1586 00:35:56,167 --> 00:35:57,067 WHERE ARE YOUR VALUES AS 1587 00:35:57,067 --> 00:35:59,700 A [bleep] WOMAN AND AS A MOTHER? 1588 00:35:59,700 --> 00:36:00,433 WHERE? 1589 00:36:00,433 --> 00:36:02,433 WHERE ARE THEY? 1590 00:36:10,633 --> 00:36:12,067 WHO WAS THE CAMERAMAN? 1591 00:36:12,067 --> 00:36:13,333 THERE WAS NO CAMERAMAN. 1592 00:36:13,333 --> 00:36:14,200 WE SHOOK THE FLOOR. 1593 00:36:14,200 --> 00:36:14,900 YOU SHOOK THE FLOOR? 1594 00:36:14,900 --> 00:36:16,900 HEY. 1595 00:36:21,667 --> 00:36:23,300 A GROWING FRENZY AS PEOPLE 1596 00:36:23,300 --> 00:36:25,333 CLAMOR TO WATCH MIMI FAUST 1597 00:36:25,333 --> 00:36:26,967 AND BOYFRIEND NIKKO SMITH 1598 00:36:26,967 --> 00:36:28,900 GO AT IT ON TAPE. 1599 00:36:28,900 --> 00:36:30,267 MIMI AND NIKKO'S TAPE 1600 00:36:30,267 --> 00:36:31,767 HAS ALREADY REPORTEDLY SURPASSED 1601 00:36:31,767 --> 00:36:33,800 KIM KARDASHIAN'S SEX TAPE 1602 00:36:33,800 --> 00:36:34,833 IN POPULARITY. 1603 00:36:34,833 --> 00:36:36,067 LOVE AND HIP-HOP: ATLANTA 1604 00:36:36,067 --> 00:36:37,600 STAR MIMI FAUST IS APPARENTLY 1605 00:36:37,600 --> 00:36:39,133 THE LATEST PSEUDO-CELEB 1606 00:36:39,133 --> 00:36:40,867 TO BE RELEASING A SEX TAPE. 1607 00:36:40,867 --> 00:36:41,833 AND HER PARTNER IN THE ADULT 1608 00:36:41,833 --> 00:36:43,633 VIDEO IS HER CO-STAR BOYFRIEND 1609 00:36:43,633 --> 00:36:44,633 NIKKO SMITH. 1610 00:36:44,633 --> 00:36:45,700 DEPARTMENT STORES ACROSS THE 1611 00:36:45,700 --> 00:36:48,100 NATION OWE MIMI A BIG THANKS. 1612 00:36:48,100 --> 00:36:49,100 SINCE THE RELEASE OF HER SEX 1613 00:36:49,100 --> 00:36:50,900 TAPE, SALES FOR SHOWER RODS 1614 00:36:50,900 --> 00:36:51,833 HAVE INCREASED. 1615 00:36:51,833 --> 00:36:53,233 WE WERE DYING WITH YOUR 1616 00:36:53,233 --> 00:36:55,600 SHOWER ROD INSTAGRAM VIDEO. 1617 00:36:55,600 --> 00:36:56,967 WHAT--WHAT INSPIRED THAT? 1618 00:36:56,967 --> 00:36:58,167 I DO KNOW MIMI. 1619 00:36:58,167 --> 00:36:59,867 AND I THOUGHT IT WAS HILARIOUS. 1620 00:36:59,867 --> 00:37:00,933 SO I WAS JUST BEING FUNNY. 1621 00:37:00,933 --> 00:37:02,200 I WAS LIKE, "HOW THE HELL DID 1622 00:37:02,200 --> 00:37:04,200 THAT SHOWER ROD HOLD HER UP?" 1623 00:37:08,400 --> 00:37:10,100 OUR TAPE HAS BEEN RELEASED. 1624 00:37:10,100 --> 00:37:10,900 WE'RE A HIT. 1625 00:37:10,900 --> 00:37:12,133 WE'RE SELLING FASTER THAN KIM K. 1626 00:37:12,133 --> 00:37:13,067 AND RAY J RIGHT NOW. 1627 00:37:13,067 --> 00:37:13,733 PRESS RELEASE IS 1628 00:37:13,733 --> 00:37:14,567 THROUGH THE ROOF. 1629 00:37:14,567 --> 00:37:15,233 AND RIGHT NOW, 1630 00:37:15,233 --> 00:37:15,900 WE'RE ABOUT TO SIT DOWN 1631 00:37:15,900 --> 00:37:17,600 AND DO AN EXCLUSIVE INTERVIEW 1632 00:37:17,600 --> 00:37:18,800 WITH VLADTV. 1633 00:37:18,800 --> 00:37:19,800 THE MONEY'S ABOUT TO ROLL IN 1634 00:37:19,800 --> 00:37:20,833 LIKE A ROLLER COASTER. 1635 00:37:20,833 --> 00:37:21,500 WE'RE ROLLING? 1636 00:37:21,500 --> 00:37:26,067 ALL RIGHT. LET'S GET TO IT. 1637 00:37:26,067 --> 00:37:27,733 I'D LITERALLY BEEN HIDING OUT 1638 00:37:27,733 --> 00:37:29,200 FOR THE PAST 24 HOURS. 1639 00:37:29,200 --> 00:37:30,600 ALL OF THE MEDIA ATTENTION 1640 00:37:30,600 --> 00:37:31,567 AROUND THIS TAPE RELEASE 1641 00:37:31,567 --> 00:37:32,967 HAS BEEN CRAZY. 1642 00:37:32,967 --> 00:37:34,633 EVERYONE IS TALKING ABOUT IT. 1643 00:37:34,633 --> 00:37:35,833 MY PHONE HAS BEEN RINGING 1644 00:37:35,833 --> 00:37:37,133 OFF THE HOOK. 1645 00:37:37,133 --> 00:37:38,500 ALL OF THE BLOGGERS AND ALL OF 1646 00:37:38,500 --> 00:37:40,167 THE NEWS ENTERTAINMENT OUTLETS, 1647 00:37:40,167 --> 00:37:41,467 THEY WANT TO TALK TO US. 1648 00:37:41,467 --> 00:37:42,133 AND TODAY 1649 00:37:42,133 --> 00:37:44,233 IS OUR FIRST INTERVIEW. 1650 00:37:44,233 --> 00:37:45,367 I GUESS THERE'S NO TURNING 1651 00:37:45,367 --> 00:37:46,333 BACK NOW. 1652 00:37:46,333 --> 00:37:47,133 MIMI AND NIKKO, 1653 00:37:47,133 --> 00:37:48,067 WHAT'S THE DEAL? 1654 00:37:48,067 --> 00:37:49,900 Y'ALL ARE REALLY FAMOUS 1655 00:37:49,900 --> 00:37:50,567 RIGHT NOW. 1656 00:37:50,567 --> 00:37:51,600 TRENDING ALL OVER THE WORLD. 1657 00:37:51,600 --> 00:37:52,633 WHY DID YOU TWO DECIDE 1658 00:37:52,633 --> 00:37:54,633 TO FILM YOURSELF HAVING SEX? 1659 00:37:54,633 --> 00:37:55,300 THIS IS SOMETHING 1660 00:37:55,300 --> 00:37:56,067 WE DO ALL THE TIME. 1661 00:37:56,067 --> 00:37:56,700 OH, YEAH? 1662 00:37:56,700 --> 00:37:57,367 YEAH. 1663 00:37:57,367 --> 00:37:58,567 IT'S GOOD. 1664 00:37:58,567 --> 00:38:00,467 NO ONE EVER WOULD EXPECT 1665 00:38:00,467 --> 00:38:01,867 THAT MIMI FAUST 1666 00:38:01,867 --> 00:38:02,867 WOULD'VE BEEN INTERTWINED 1667 00:38:02,867 --> 00:38:04,200 WITH A SEX TAPE. 1668 00:38:04,200 --> 00:38:05,467 MIMI HAD PRESENTED HERSELF 1669 00:38:05,467 --> 00:38:08,700 AS WHOLESOME, YOU KNOW, 1670 00:38:08,700 --> 00:38:09,967 A GOOD GIRL. 1671 00:38:09,967 --> 00:38:11,200 SO EVERYBODY WAS SHOCKED. 1672 00:38:11,200 --> 00:38:12,367 I WASN'T SLEEPING 1673 00:38:12,367 --> 00:38:13,233 WITH A STRANGER 1674 00:38:13,233 --> 00:38:14,467 OR SOMEONE OFF THE STREET. 1675 00:38:14,467 --> 00:38:16,567 I WAS MAKING LOVE TO MY MAN. 1676 00:38:16,567 --> 00:38:18,267 I WATCHED THE SEX TAPE 1677 00:38:18,267 --> 00:38:20,900 THAT WAS COMMERCIALLY RELEASED. 1678 00:38:20,900 --> 00:38:23,333 AND MY FIRST QUESTION WAS, 1679 00:38:23,333 --> 00:38:27,467 "WHO WAS THE CAMERAMAN?" 1680 00:38:27,467 --> 00:38:29,700 THERE WAS NO CAMERAMAN. 1681 00:38:29,700 --> 00:38:32,067 WE HAD A CAMERA ON A TRIPOD. 1682 00:38:32,067 --> 00:38:33,067 AND A HANDHELD. 1683 00:38:33,067 --> 00:38:33,967 AND HANDHELD. 1684 00:38:33,967 --> 00:38:34,800 I MEAN, IT LOOKED LIKE 1685 00:38:34,800 --> 00:38:35,733 THE CAMERA WAS KIND OF 1686 00:38:35,733 --> 00:38:38,600 MOVING AROUND A LITTLE BIT. 1687 00:38:38,600 --> 00:38:40,067 YOU KNOW, I SAW ALL Y'ALL'S 1688 00:38:40,067 --> 00:38:43,367 HANDS IN THE SHOT. 1689 00:38:43,367 --> 00:38:45,733 AS YOU CAN SEE, THE CAMERA'S 1690 00:38:45,733 --> 00:38:47,733 MOVING AROUND RIGHT HERE. 1691 00:38:50,067 --> 00:38:52,800 IT'S NOT A STILL SHOT. 1692 00:38:52,800 --> 00:38:55,200 OKAY. 1693 00:38:55,200 --> 00:38:55,967 YOU CAN SEE THAT? 1694 00:38:55,967 --> 00:38:57,367 THAT'S EDITING. 1695 00:38:57,367 --> 00:38:58,400 YEAH, THAT'S WHAT YOU CALL 1696 00:38:58,400 --> 00:39:00,067 SHAKING THE BATHROOM UP. 1697 00:39:00,067 --> 00:39:02,133 WE SHOOK THE FLOOR. 1698 00:39:02,133 --> 00:39:04,367 YOU SHOOK THE FLOOR? 1699 00:39:04,367 --> 00:39:06,333 HEY. 1700 00:39:06,333 --> 00:39:08,467 SO THERE WAS NO THIRD PERSON? 1701 00:39:08,467 --> 00:39:09,933 NO. 1702 00:39:09,933 --> 00:39:11,933 GOTCHA. 1703 00:39:18,933 --> 00:39:19,667 NEXT TIME ON LOVE and 1704 00:39:19,667 --> 00:39:20,767 HIP-HOP: ATLANTA.. 1705 00:39:20,767 --> 00:39:21,667 SO CHECK THIS OUT. 1706 00:39:21,667 --> 00:39:22,467 WHAT? 1707 00:39:22,467 --> 00:39:24,467 I'M PREGNANT. 1708 00:39:28,467 --> 00:39:30,300 WHAT DO YOU WANT OUT OF LIFE 1709 00:39:30,300 --> 00:39:31,867 AND OUT OF THIS RELATIONSHIP? 1710 00:39:31,867 --> 00:39:33,600 I NEED TO SEE SOMETHING 1711 00:39:33,600 --> 00:39:34,467 DIFFERENT FROM YOU. 1712 00:39:34,467 --> 00:39:36,300 I WANT YOU TO OPEN THAT. 1713 00:39:36,300 --> 00:39:37,433 OH. 1714 00:39:37,433 --> 00:39:38,967 YOU GAVE HER A WHAT? 1715 00:39:38,967 --> 00:39:39,700 I GAVE HER A RING. 1716 00:39:39,700 --> 00:39:41,067 WITHOUT MY PERMISSION? 1717 00:39:41,067 --> 00:39:41,733 YEAH. 1718 00:39:41,733 --> 00:39:42,400 BABY, I AM NOT FINNA 1719 00:39:42,400 --> 00:39:44,067 SIT IN MY PALACE AND THINK 1720 00:39:44,067 --> 00:39:45,400 YOU'RE GONNA DETHRONE ME. 1721 00:39:45,400 --> 00:39:46,133 WE'RE THE BIGGEST THING 1722 00:39:46,133 --> 00:39:46,800 IN THE WHOLE WORLD. 1723 00:39:46,800 --> 00:39:47,500 I KNOW WE'RE TRENDING, 1724 00:39:47,500 --> 00:39:48,300 NIKKO, BUT LOOK WHAT THEY'RE 1725 00:39:48,300 --> 00:39:48,967 SAYING. 1726 00:39:48,967 --> 00:39:50,300 THIS IS FROM JOSELINE. 1727 00:39:50,300 --> 00:39:51,100 I CALL HER THE HORSE. 1728 00:39:51,100 --> 00:39:52,433 LISTEN, "IF YOU GOING TO [bleep] 1729 00:39:52,433 --> 00:39:54,300 ON CAMERA, AT LEAST BE A FREAK, 1730 00:39:54,300 --> 00:39:57,367 NOT A BORING 45-YEAR-OLD LADY." 1731 00:39:57,367 --> 00:39:58,533 JOSELINE GOT MORE MILES 1732 00:39:58,533 --> 00:40:01,167 ON HER [bleep] THAN EIGHT OF ME. 1733 00:40:01,167 --> 00:40:02,700 WHAT I SAW, MIMI, 1734 00:40:02,700 --> 00:40:05,100 I AM HURT, DISGUSTED. 1735 00:40:05,100 --> 00:40:06,067 SO YOU'RE TELLING ME THIS 1736 00:40:06,067 --> 00:40:06,867 WAS A HOME VIDEO. 1737 00:40:06,867 --> 00:40:08,067 YOU STICKING TO THAT, MIMI? 1738 00:40:08,067 --> 00:40:08,833 YEAH. 1739 00:40:08,833 --> 00:40:10,100 THE ONLY THING I CAN DO 1740 00:40:10,100 --> 00:40:12,133 IS MOVE THE [bleep] FORWARD. 1741 00:40:12,133 --> 00:40:12,900 I'VE NEVER JUDGED YOU 1742 00:40:12,900 --> 00:40:13,667 FOR [bleep]. 1743 00:40:13,667 --> 00:40:15,000 AM I JUDGING YOU NOW? 1744 00:40:15,000 --> 00:40:16,967 IT HAS BEEN SEVERAL TIMES-- 1745 00:40:16,967 --> 00:40:17,867 WHAT HAVE I DONE? 1746 00:40:17,867 --> 00:40:19,133 OH, YOU'RE A PORN STAR. 1747 00:40:19,133 --> 00:40:20,100 EVERYBODY'S STILL TALKING 1748 00:40:20,100 --> 00:40:21,433 ABOUT THAT MIMI TAPE. 1749 00:40:21,433 --> 00:40:22,133 I'M THINKING WE PUT HER ON 1750 00:40:22,133 --> 00:40:22,900 THE COVER. 1751 00:40:22,900 --> 00:40:23,833 I JUST DON'T KNOW IF THIS IS 1752 00:40:23,833 --> 00:40:24,500 A GOOD IDEA RIGHT HERE. 1753 00:40:24,500 --> 00:40:25,167 BUT THINK ABOUT IT. 1754 00:40:25,167 --> 00:40:26,167 SLEAZE, THINK ABOUT IT. 1755 00:40:26,167 --> 00:40:27,300 WE STAND TO SELL A LOT 1756 00:40:27,300 --> 00:40:28,433 OF COVERS HERE. 1757 00:40:28,433 --> 00:40:29,867 THE WORLD KNOWS ABOUT MIMI. 1758 00:40:29,867 --> 00:40:30,533 MM-HMM. 1759 00:40:30,533 --> 00:40:31,467 I WANT TO PUT MIMI 1760 00:40:31,467 --> 00:40:32,333 ON THE COVER. 1761 00:40:32,333 --> 00:40:33,300 [make sizzling noise] 1762 00:40:33,300 --> 00:40:33,967 AHH. 1763 00:40:33,967 --> 00:40:34,733 HOW DID I END UP 1764 00:40:34,733 --> 00:40:36,133 IN THE MAGAZINE WITH THE COVER 1765 00:40:36,133 --> 00:40:37,233 OF YOUR BABY MAMA IN THERE 1766 00:40:37,233 --> 00:40:38,300 TALKING ABOUT A SEX TAPE? 1767 00:40:38,300 --> 00:40:39,033 I WANT TO BE IN A MAGAZINE-- 1768 00:40:39,033 --> 00:40:39,733 YOU DESERVE THIS. 1769 00:40:39,733 --> 00:40:40,400 SHUT THE [bleep] UP 1770 00:40:40,400 --> 00:40:41,067 AND LET ME FINISH. 1771 00:40:41,067 --> 00:40:41,733 HOLD ON, HOLD ON-- 1772 00:40:41,733 --> 00:40:42,467 NO, SHUT THE [bleep] UP. 1773 00:40:42,467 --> 00:40:43,267 NO, I'M NOT GONNA SHUT THE 1774 00:40:43,267 --> 00:40:43,967 [bleep] UP. 1775 00:40:43,967 --> 00:40:44,800 YOU NEED TO. YOU NEED TO. 1776 00:40:44,800 --> 00:40:45,700 THIS RIGHT HERE, THAT'S 1777 00:40:45,700 --> 00:40:46,367 DISRESPECTFUL. 1778 00:40:46,367 --> 00:40:47,033 OH, YOU NEED TO. 1779 00:40:47,033 --> 00:40:47,733 THE WAY YOU'RE TALKING 1780 00:40:47,733 --> 00:40:48,467 TO ME IS DISRESPECTFUL. 1781 00:40:48,467 --> 00:40:49,433 THIS IS DISRESPECTFUL. 1782 00:40:49,433 --> 00:40:50,100 I DIDN'T HAVE NOTHING 1783 00:40:50,100 --> 00:40:50,767 TO DO WITH THIS. 1784 00:40:50,767 --> 00:40:52,767 YOU HAD A LOT TO DO WITH IT. 1785 00:41:09,967 --> 00:41:12,267 OH, WOW. 1786 00:41:12,267 --> 00:41:14,867 OH, MY GOD. 1787 00:41:14,867 --> 00:41:16,967 NO. 1788 00:41:16,967 --> 00:41:19,400 OOH. OH. OOH, LOOK. 1789 00:41:19,400 --> 00:41:21,400 WAIT A MINUTE. 1790 00:41:24,667 --> 00:41:26,567 OH, MY GOD. 1791 00:41:26,567 --> 00:41:34,200 OH. 1792 00:41:34,200 --> 00:41:36,067 OH, MY GOD. 1793 00:41:36,067 --> 00:41:36,933 OH, ATLANTA, 1794 00:41:36,933 --> 00:41:38,933 Y'ALL IS TURNING UP.